[Dixielandjazz] Spanish songs from New Orleans

[domitype .]

The three books by Ned Sublette explain the interlinked influences of
Spanish (including Roma and Arabic music influences,) African, Caribbean,
and New Orleans music quite well (there are many.)
https://en.wikipedia.org/wiki/Ned_Sublette

The World That Made New Orleans: From Spanish Silver to Congo Square; Cuba
and Its Music: From the First Drums to the Mambo; and The Year Before the
Flood: A Story of New Orleans (gets into the NOLA Brass Band, Mardi Gras
Indians, and other traditions.)

Dve Richoux

On Sat, Oct 24, 2015 at 3:20 PM, Bill Haesler <bhaesler at bigpond.net.au>
wrote:

> On 24/10/2015 Bert Brandsma wrote:
> > Please always keep in mind that in New Orleans there was no recording
> equipment at the time! Most of what we call New Orleans Jazz today was
> recorded in places like Camden, New York, Chicago, Los Angeles (Kid Ory's
> first records) So distance wise, certainly for those times, pretty much
> removed from the source...
>
> Dear Bert,
> Do not overlook the site recordings made in New Orleans by Victor,
> Columbia and Okeh.
> In 2002, Listmate Anton Crouch and I alternated six programs on 2MBS FM
> featuring a selection from these wonderful sessions
>
> New Orleans in the 1920s.
>
> Part 1. March 1924-January 1925. DeDroit; Bolden; Marable; OCCJ; Green;
> Bayersdorffer; Halfway House; Billy/Mary Mack; Tobin; Parenti; Billy/Mary
> Mack; Papalia.
>
> Part 2. January 1925-March 1925. Brownlee; ONORK; OTJO; Boswell; Parenti;
> Piron; Boswell; NORK. Plus Scranton Sirens.
>
> Part 3. September 1925-April 1926. Parenti; NO Owls; Halfway House;
> Parenti; Halfway House; Celestin.
>
> Part 4. April 1926-April 1927. NO Owls; Jackson; Davis/Dumaine;
> Cook/Dumaine; Hyman; Mannone.
>
> Part 5. April 1927-April 1928. Celestin; Morgan; NO Owls; Halfway House;
> Morgan; Halfway House; Celestin; NO Owls. Plus Glinn; Day; Brown; Glinn.
>
> Part 6. April 1928-November 1929. Miller; Brunies; Parenti; Hazel;
> Parenti; Celestin; Brunies; Jones & Collins; Statakos; Quartell and the
> Jimmy Rodgers' session.
>
> Very kind regards,
> Bill.
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