[Dixielandjazz] Louis Armstrong House Museum -- Associated Press, October 14, 2013

[Robert Ringwald]

Louis Armstrong House Marks 10 Years as NYC Museum
by Ula Ilnytzky
Associated Press, October 14, 2013
NEW YORK -- To mark the 10th anniversary of the Louis Armstrong
museum in the modest brick house where he lived for 28 years,
curators are unveiling one of the jazz trumpeter's most unusual
artifacts -- a plaster mask that had been stored in a cupboard
for decades.
Armstrong, who documented his career in unusual ways, had the
life mask with a painted bronze-patina finish made in the 1950s.
David Reese, curator of the Louis Armstrong House Museum, said it
reveals creases on his forehead, bags under his eyes and scars on
his lips from a lifetime of horn-playing.
Museum officials still aren't sure who made the mask, but a photo
of Armstrong proudly holding it alongside an unidentified couple
may provide clues. Armstrong must have been pleased with it
because there are photos showing it hanging in the house at the
top of the stairs.
His two-story home in the Corona section of Queens is remarkably
understated for the charismatic performer whose improvisational
playing style and raspy singing won him fame as far back as the
1920s.
The house and its furnishings, including a funky, blue
wood-lacquered kitchen, are virtually unchanged from when
Armstrong lived there with his wife, Lucille, from 1943 to 1971,
when he died from a heart attack in his bedroom at age 69.
The man known as Satchmo could have lived in a house with "a pool
in the shape of a trumpet" but chose to stay in the working-class
neighborhood, said Michael Cogswell, director of the national and
city landmark.
"Louis wasn't treated as a celebrity here," Cogswell said. He
could go to the corner barbershop and "wait his turn in line with
the other men from the community."
When Armstrong's bus would return from a tour, children from the
block would help carry his trumpet and suitcases inside the
house. "Then Lucille would fix up bowls of ice cream for
everybody, and they would watch Westerns together on TV,"
Cogswell said.
After Lucille died in 1983, Armstrong's vast collection of
home-recorded tapes, photographs, scrapbooks and other material
was donated to Queens College by the Louis Armstrong Educational
Foundation. It is the largest publicly held archival collection
devoted to a jazz musician in the world.
"The house was frozen in time. It was stuffed," Cogswell said.
"Louis was a packrat."
Queens Councilwoman Julissa Ferreras said the museum has a
long-standing history "as being a mini-mecca for jazz lovers" and
that Armstrong's "spirit and love of music is still very much a
part of the community."
Along with the life mask, a 10th anniversary exhibition focuses
on Armstrong's six-week tour of South America in 1957. Armstrong
was still reeling over the "Little Rock Nine" school integration
crisis in Arkansas weeks earlier, and a photograph shows him in
his Buenos Aires hotel room defiantly hanging up on the U.S.
ambassador, who had asked him to sing "The Star-Spangled Banner"
at that evening's concert.
More than 100,000 people have visited the museum since its
opening.
A new visitor and state-of-the-art multimedia exhibition center
with a 72-seat jazz club across the street is scheduled to open
in 2016. The massive archive will be moved there, allowing its
current exhibition space -- the Armstrongs' basement recreation
room -- to return to the way it looked originally.
"We want to be in our own way the Graceland of New York City,"
Cogswell said.
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-Bob Ringwald K6YBV
www.ringwald.com
916/ 806-9551

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