[Dixielandjazz] Why I was looking for that Bessie Smith record, or...
Bill Haesler
bhaesler at bigpond.net.au
Mon Jun 24 14:28:04 PDT 2013
Dick Baker wrote [in part]:
> What's right? Well, my feeling is that the original publication title is definitive. If the original publication of a tune was sheet music, you use that. If it was a recording, you use the title on the record label.
Dear Dick,
I wholeheartedly agree.
> So the Stomp Off index will list it under the Bessie Smith title, but since Clarence Williams was both the composer and a famous musician too, we'll put his OKeh label version as an alternative. And if you look for it as "I've got...," you'll find a cross-reference: See "I Got..."
Notwithstanding that Bessie sings "I've Got.." all the way through, indicating that Columbia mislabelled the tune?
Jus' kiddin', jus' stirrin'.
8>)
> ...in 1925, Lucille Hegamin recorded the exact Williams copyright title on Cameo 254
Try 1922.
> ...but that was a song by Turk & Robinson from "Plantation Revue."
This is interesting
http://www.ovrtur.com/show/120647
even though we have this evidence:
http://www.worthpoint.com/worthopedia/1920s-jazz-blues-78s-cameo-label-133066947
> AND also in 1925 Papa Charlie Jackson copyrighted a song by that same title.
With label credit to (Davis-Jackson). Davis being Selma Davis = A la Moore = Aletha Dickerson.
All I seem to be doing is keeping you away from your Stomp Off task.
And you mine.
8>)
Very kind regards,
Bill.
More information about the Dixielandjazz
mailing list