[Dixielandjazz] R.I.P. Marvin Hamlisch - Associated Press, August 7, 2012

[Robert Ringwald]

Oscar-Winning Composer Marvin Hamlisch Dies at 68
by Chris Talbott
Associated Press, August 7, 2012
Marvin Hamlisch, who composed or arranged the scores for dozens of movies including
"The Sting" and the Broadway smash "A Chorus Line," has died in Los Angeles. He was
68.
Hamlisch collapsed and died Monday after a brief illness, his publicist Ken Sunshine
said, citing the family. Other details were not released.
Hamlisch's career included composing, conducting and arranging music from Broadway
to Hollywood, from symphonies to R&B hits. He won every major award in his career,
including three Academy Awards, four Emmys, four Grammys, a Tony and three Golden
Globes.
The one-time child prodigy's music colored some of Hollywood and Broadway's most
important works.
Hamlisch composed more than 40 film scores, including "Sophie's Choice," "Ordinary
People," "The Way We Were" and "Take the Money and Run." He won his third Oscar for
his adaptation of Scott Joplin's music for "The Sting." His latest work came for
Steven Soderbergh's "The Informant!"
On Broadway, Hamlisch received both a Tony and the Pulitzer Prize in 1976 for the
long-running favorite "A Chorus Line" and wrote the music for "The Goodbye Girl"
and "Sweet Smell of Success." He was scheduled to fly to Nashville, Tenn., this week
to see a production of his musical "The Nutty Professor," Sunshine said.
Hamlisch even reached into the pop world, writing the No. 1 R&B hit "Break It to
Me Gently" with Carole Bayer Sager for Aretha Franklin. He won the 1974 Grammys for
best new artist and song of the year, "The Way We Were," performed by Barbra Streisand.
"He was classic and one of a kind," Franklin said Tuesday after learning of his death,
calling him one of the "all time great" arrangers and producers. "Who will ever forget
'The Way We Were'?"
Hamlisch's interest in music started early. At the age of 7 he entered the Juilliard
School of Music, stunning the admissions committee with his renditions of "Goodnight
Irene" in any key they desired.
In his autobiography, "The Way I Was," Hamlisch admitted that he lived in fear of
not meeting his father's expectations. "By the time Gershwin was your age, he was
dead," the Viennese-born musician would tell his son. "And he'd written a concerto.
Where's your concerto, Marvin?"
In his teens, he switched from piano recitals to songwriting. Show music held a special
fascination for him. Hamlisch's first important job in the theater was as rehearsal
pianist for the Broadway production of "Funny Girl" with Streisand in 1964. He graduated
to other shows like "Fade Out -- Fade In," "Golden Rainbow" and "Henry, Sweet Henry,"
and other jobs like arranging dance and vocal music.
"Maybe I'm old-fashioned," he told The Associated Press in 1986. "But I remember
the beauty and thrill of being moved by Broadway musicals particularly the endings
of shows. The end of 'West Side Story,' where audiences cried their eyes out. The
last few chords of 'My Fair Lady.' Just great."
Although he was one of the youngest students ever at Juilliard, he never studied
conducting. "I remember somebody told me, 'Earn while you learn,'" he told The AP
in 1996.
"The Way We Were" exemplified Hamlisch's old-fashioned appeal it was a big, sentimental
movie ballad that brought huge success in the rock era. He was extremely versatile,
able to write for stage and screen, for soundtracks ranging from Woody Allen comedies
to a somber drama like "Ordinary People."
He was perhaps even better known for his work adapting Joplin on "The Sting." In
the mid-'70s, it seemed everybody with a piano had the sheet music to "The Entertainer,"
the movie's theme song. To this day, it's blasted by ice cream trucks.
Hamlisch's place in popular culture reached beyond his music. Known for his nerdy
look, complete with thick eyeglasses, that image was sealed on NBC's "Saturday Night
Live" during Gilda Radner's "Nerd" sketches. Radner, playing Lisa Loopner, would
swoon over Hamlisch.
Hamlisch was principal pops conductor for symphony orchestras in Pittsburgh, Milwaukee,
Dallas, Pasadena, Seattle and San Diego at the time of his death. He was due to lead
the New York Philharmonic during its upcoming New Year's Eve concert.
He was working on a new musical, "Gotta Dance," at the time of his death and was
scheduled to write the score for a new film on Liberace, "Behind the Candelabra."
He leaves behind a legacy in film and music that transcended notes on the page. As
illustrative as the scenes playing out in front of the music, his scores helped define
some of Hollywood's most iconic works.
He is survived by his wife of 25 years, Terre.
__________
AP drama writer Mark Kennedy contributed from New York and AP writer Jeff Wilson
contributed from Los Angeles.


-Bob Ringwald
www.ringwald.com
Amateur (ham) Radio Operator K6YBV
916/ 806-9551

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