[Dixielandjazz] Dixielandjazz Digest, Vol 93, Issue 4

[Barb Jordan]

Hi there,
 
I am having problems with Hotmail when I try to send out an email to the mailing list.
 
Could you please forward this request?
 
I am hoping someone could send me a lead sheet for the tune I Have to Have You (done by Helen Kane in 1929)
 
Thanks very much for any help you could provide.
 
 
Barbara Jordan
 
Burlington, Ontario, Canada
 
> From: dixielandjazz-request at ml.islandnet.com
> Subject: Dixielandjazz Digest, Vol 93, Issue 4
> Date: Fri, 3 Sep 2010 12:00:00 -0700
> To: jordan_barb at hotmail.com
> 
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> Today's Topics:
> 
> 1. Re: Young Grass Roots Jazz in Seattle (Scott Anthony)
> 2. Shameless Plug, Sacramento Area (Robert Ringwald)
> 3. Looks like an interesting book (Bob Cassady)
> 4. Re: wedding in the U.K. (Robert Ringwald)
> 5. Bill Russell talking with Mike Pointon - Part 4 (Final)
> (Bill Haesler)
> 6. Re: Need e-mail address (Bert Thompson)
> 7. Re: Bobby Gordon (JBruno868 at aol.com)
> 8. Re: Bobby Gordon = more on this player (Don Ingle)
> 9. Some Birthdays Sept 3 (Robert Ringwald)
> 10. "Our Philly Friends" videos (Jim Kashishian)
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Thu, 2 Sep 2010 17:01:54 -0700
> From: "Scott Anthony" <santh at comcast.net>
> To: "Scott Anthony" <santh at comcast.net>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Subject: Re: [Dixielandjazz] Young Grass Roots Jazz in Seattle
> Message-ID: <B0F4CA07139A40E08299BC3BE97992DF at ScottLaptop>
> Content-Type: text/plain; format=flowed; charset="Windows-1252";
> reply-type=response
> 
> Just checked times:
> 
> Bob Schulz Frisco Jazz Band
> Saturday, September 18, 4pm-8pm
> New Orleans Restaurant, 114 1st Avenue South, Seattle
> 
> Sunday, September 19, 12:30pm-4:30pm
> Puget Sound Traditional Jazz Society, Ballard Elks Lodge
> 
> Scott Anthony
> 
> ----- Original Message ----- 
> From: "Scott Anthony" <santh at comcast.net>
> To: <santh at comcast.net>
> Cc: "Dixieland Jazz Mailing List" <dixielandjazz at ml.islandnet.com>
> Sent: Thursday, September 02, 2010 4:56 PM
> Subject: Re: [Dixielandjazz] Young Grass Roots Jazz in Seattle
> 
> 
> Speaking of jazz in Seattle, the Bob Schulz Frisco Jazz Band will be playing
> at the New Orleans Restaurant, 114 1st Avenue South in downtown Seattle on
> Saturday, Sept. 18 and at the Puget Sound Traditional Jazz Society at the
> Ballard Elks Lodge on Sunday, Sept. 19.
> 
> I'm not sure of the times, but generally we play the New Orleans Restaurant
> from 5pm to 9pm and the club meeting is 1pm to 5pm.
> 
> Hope to see you there!
> 
> Scott Anthony
> Golden Gate Rhythm Machine
> Bob Schulz Frisco Jazz Band
> 
> ----- Original Message ----- 
> From: "Stephen G Barbone" <barbonestreet at earthlink.net>
> To: <santh at comcast.net>
> Cc: "Dixieland Jazz Mailing List" <dixielandjazz at ml.islandnet.com>
> Sent: Friday, August 27, 2010 7:46 AM
> Subject: [Dixielandjazz] Young Grass Roots Jazz in Seattle
> 
> 
> Good News?
> 
> Cheers,
> Steve Barbone
> www.myspace.com/barbonestreetjazzband
> 
> NY Times - 8-29-10 - By Nate Chinen
> 
> Alt-Rock Hub, Purring With Jazz
> 
> 
> SEATTLE
> 
> THE atmosphere at Cafe Racer, a coffeehouse and bar in the University
> District here, skews distinctly postgrunge, with its scuffed floor and
> mismatched furniture, its thrift-store paintings on boldly colored
> walls. One Sunday evening this spring the place was packed mainly with
> teenagers and 20-somethings in T-shirts and sneakers, all listening
> intently to a band. Everything seemed of a piece except the music:
> sleek, dynamic large-group jazz, a whirl of dark-hued harmony and
> billowing rhythm.
> 
> ?Split Stream? was the name of the composition, by Andy Clausen, an
> industrious young trombonist. Most of the players in his 10-piece
> band, crowding one end of the room, were his classmates at Roosevelt
> High School. A few others hailed from Garfield High School, which like
> Roosevelt is a reliable favorite in Jazz at Lincoln Center?s
> prestigious Essentially Ellington High School Jazz Band Competition.
> The intelligent sheen of Mr. Clausen?s writing was as striking as the
> composure of his peers, notably the trumpeter Riley Mulherkar, then a
> Garfield senior. It was impressive, and not just by the yardstick of
> their age.
> 
> Seattle, a city synonymous with alternative rock, has long sustained a
> provincial jazz culture, without much fuss or a signature sound. To
> outside jazz partisans the city is known as an incubator for high
> school talent that usually flies the coop, heading East for
> conservatory training and professional careers. Mr. Clausen and Mr.
> Mulherkar are both arriving in New York this week to begin their first
> semester at the Juilliard Institute for Jazz Studies, which highlights
> both the lofty promise and a lingering problem of their hometown.
> 
> But the landscape has been shifting because of recent events at the
> university level and at joints like Cafe Racer, home to a musician-run
> series called the Racer Sessions. A growing number of young musicians
> have been focused on building an autonomous scene, something
> distinctive and homegrown. The acclaimed trumpeter Cuong Vu, who left
> Seattle in the late 1980s and recently made his way back, said he was
> reminded of the energy of New York?s 1990s downtown scene, the tail
> end of which he experienced firsthand. ?Seattle could be a model for
> all the other places in the U.S. that need a scene like this,? he said.
> 
> Mr. Vu is by no means an objective observer. A few years ago he joined
> the faculty of the University of Washington?s School of Music, where
> he has worked closely with a number of players, bringing an
> ultramodern ethos to a fairly traditional program. He might be
> overstating the case, but he could also be on to something.
> 
> ?I was very, very close to staying here,? Mr. Clausen said after his
> group had yielded the floor to a series of improvised responses,
> according to Racer Sessions protocol. ?It was a tough decision,
> because I?m excited about what?s happening. There?s all this momentum
> here now. It?s a really exciting place to be.?
> 
> The history of jazz in most American cities is a tale of ebb and flow,
> and Seattle fits the bill. In his 1993 book, ?Jackson Street After
> Hours: The Roots of Jazz in Seattle,? Paul de Barros recounts a
> nightclub boom that ran from the late ?30s into the ?50s, cultivating
> regional heroes like the trumpeter and saxophonist Floyd Standifer.
> 
> The low ebb, according to the jazz radio host Jim Wilke, came in the
> ?60s, with the rise of rock ?n? roll. Musicians were still playing
> jazz, but mainly along the margins. That ended up suiting people like
> the guitarist Bill Frisell and the keyboardist Wayne Horvitz, two of
> the most prominent jazz artists to call Seattle home.
> 
> ?When I moved here from New York in 1989, I wasn?t looking to be in
> any kind of a scene,? Mr. Frisell said. ?I was kind of looking for a
> place to hide out.? (Still, his album ?Beautiful Dreamers,? due out on
> Savoy on Tuesday, features another adopted Seattleite, the violist
> Eyvind Kang.)
> 
> Since the 1990s, which saw an underground jazz boomlet parallel to the
> rise of grunge (Mr. Horvitz was a fixture of the OK Hotel, which had
> also been a home to Nirvana), the city has developed a civic pride
> about jazz that few others can rival. ?Seattle has a value system
> around jazz,? said John Gilbreath, executive director of Earshot Jazz,
> which will present the 22nd Earshot Jazz Festival this fall. ?It?s
> part of the cultural expectation. There?s an independent-jazz ecology
> here, it?s factionalized, but all the factions are in harmony. And
> it?s self-renewing in this really wonderful way.?
> 
> That self-renewal comes from boomerang musicians like the trumpeter
> Thomas Marriott and the drummer Matt Jorgensen, who headed East but
> eventually returned. Along with peers like the saxophonist Mark
> Taylor, they are now stalwarts of the jazz mainstream here, working at
> places like the New Orleans Creole Restaurant and Tula?s Jazz Club.
> And their music has a strong outlet in Origin Records, a Seattle label
> with worldwide distribution, and an impressive track record on
> national jazz radio. Mr. Jorgensen runs Origin with its founder, the
> drummer John Bishop; together they also started the Ballard Jazz
> Festival, featuring area artists almost exclusively.
> 
> Jazz also has a presence at Benaroya Hall, home of the Seattle
> Symphony. The Seattle Repertory Jazz Orchestra performs there, to a
> loyal patronage. ?They?re folks who would otherwise have subscribed to
> the chamber orchestra or the symphony,? said the saxophonist Michael
> Brockman, one of the orchestra?s artistic directors and a longtime
> University of Washington faculty member. ?That?s 80 percent of our
> audience, and they rarely if ever go to a jazz club.?
> 
> What galvanizes Seattle jazz audiences more than anything is the
> diligent effort of its teenage musicians. ?The big-band programs here
> are kind of like high school football in Texas,? Mr. Jorgensen said.
> 
> The chief catalyst is the Essentially Ellington contest, which began
> in 1995. Over the last decade Garfield and Roosevelt have won first
> place a combined seven times. ?The bands have different philosophies,?
> said Wynton Marsalis, Jazz at Lincoln Center?s artistic director and
> the avuncular soul of the competition. ?In general Garfield?s band has
> strong soloists, and Roosevelt has really good ensembles.?
> 
> A glimpse into rehearsals by both bands in April, a month before the
> contest, illuminated the difference. Clarence Acox, who came to
> Garfield from New Orleans in 1971, led the Garfield band with an
> offhand but booming authority. ?Stay right there,? he growled at his
> drummer, indicating a rhythmic pocket, during ?Launching Pad,? a 12-
> bar blues.
> 
> At Roosevelt, Scott Brown exuded a warmer and more technical air,
> often tinkering with the mechanics of a phrase. (Interschool rivalry
> aside, Mr. Brown, a trombonist, plays alongside Mr. Acox in the
> Seattle Repertory Jazz Orchestra.) Between takes his students were a
> fount of wisecracks, but at each downbeat they snapped into gear. For
> ?After All? Mr. Clausen took the lead against a purr of saxophones.
> 
> The band directors aren?t the only reason for the schools? track
> record. ?Both Garfield and Roosevelt are public schools, but the
> support is akin to a private institution, in terms of what the parents
> do,? said the trumpeter Tatum Greenblatt, a graduate of Garfield and
> Juilliard, who lives in New York. Parent groups raise money to send
> the bands to competitions and on tour in Europe; the first Garfield
> jazz fund-raiser, in 1990, organized by Mr. Marriott?s parents, earned
> about $80,000.
> 
> The other secret weapon has been the jazz program at Washington Middle
> School that until two years ago was led by Robert Knatt, who is now
> retired. ?People would come into ninth grade already knowing how to
> read music and play in a section and improvise,? Mr. Greenblatt said.
> 
> Ask young Seattle jazz musicians what?s new about the scene, and they
> are likely to point to Mr. Vu. By all accounts he has galvanized his
> students, charging them with a radical sense of purpose and advocating
> on their behalf. He invited some ? like the bassist Luke Bergman and
> the drummer Chris Icasiano, both now alumni and key figures in the
> Racer Sessions ? to be in his new band,Speak, which recently released
> its self-titled debut on Origin. Mr. Vu also advises the Improvised
> Music Project, a coalition of students and alumni, which held its
> second annual festival this spring.
> 
> ?This really is a marker of a new phase,? Richard Karpen, the new
> director of the University of Washington?s School of Music, said in
> April at a 20th-anniversary celebration for its Jazz Studies program.
> Mr. Karpen, a composer, said jazz is now a greater priority for the
> program.
> 
> As part of the festivities Mr. Vu played three concerts with his Vu
> Tet. On the first night the crowd was full of students, including
> Carmen Rothwell, a bassist in the Garfield band. ?A few days ago I
> decided that I?m coming to U.W. to major in Jazz Studies,? she said.
> ?I really, really like the direction that it?s going in.?
> 
> The University of Washington isn?t the only Seattle educational
> institution in the process of rejuvenation. The Cornish College of the
> Arts, which has a history of avant-gardism stretching to John Cage in
> the ?30s, recently hired a new department chairman, Kent Devereaux. He
> said his decision to take the job had been influenced by the five
> teaching positions that will be turning over in the next five years,
> enabling him to put his stamp on the faculty.
> 
> Cornish has also stepped up its recruiting, begun a capital campaign
> for a larger new building and, for the first time, acquired dormitory
> space. As a result, Mr. Devereaux said, ?I went from a program where
> last year it was 83 percent Washingtonians to one where my incoming
> class is only 46 percent.?
> 
> Applications have risen by roughly a third in each of the last two
> years, and the college has started a high school summer jazz program.
> ?We weren?t connecting to the community,? he said.
> 
> These changes at the college level should benefit Seatle?s jazz scene
> at large. But such abstractions were far from anyone?s mind in May, as
> the Garfield and Roosevelt bands, and 13 others from across the
> country, descended on Frederick P. Rose Hall in Manhattan for
> Essentially Ellington. Each band performed and then waited for the
> announcement of the three finalists.
> 
> Mr. Mulherkar almost missed that moment, because he had to slip away
> for his Juilliard audition. But he returned in time, with news that he
> had been accepted. Then came word that Garfield was one of the final
> three and would perform that night with Mr. Marsalis. Roosevelt just
> missed the cut, earning an honorable mention nod.
> 
> A few hours later Mr. Mulherkar went toe to toe with Mr. Marsalis at
> Avery Fisher Hall, trading soulful barbs and plunger-muted whinnies on
> ?The Shepherd.? In essence he was sparring with the world?s most
> celebrated jazz trumpeter, and he held his own, earning stagy glares
> from Mr. Marsalis, vicarious hollers from the hall and ultimately a
> standing ovation.
> 
> There were more cheers for the results: Garfield had won the
> Essentially Ellington competition, for the second year in a row. And
> Mr. Mulherkar received the Ella Fitzgerald Outstanding Soloist Award,
> its highest individual honor. ?We even heard some things we?d never
> heard done before on our instrument,? Mr. Marsalis said of Mr.
> Mulherkar. (Mr. Clausen won the award for outstanding trombone.)
> 
> Speaking by phone recently, Mr. Mulherkar focused squarely on the
> transition ahead. But he did say he?d miss Seattle and its nascent
> scene. ?I was actually just talking to my brother, who?s at the New
> England Conservatory now,? he said. ?He was saying how lucky my peer
> group was because he didn?t have anything like that when he was in
> high school.?
> 
> As for Mr. Clausen, he played a farewell show at Cafe Racer last
> weekend, with Speak and four of his other bands. ?Summer has been
> really productive,? he wrote in an e-mail. ?Completed a two-week
> European tour with the Roosevelt Jazz Band, finished recording two new
> bands of my own, and a group of us from the Racer Sessions are forming
> a new record label/music foundation to present, share and promote our
> music. Leaving is bittersweet.?
> _______________________________________________
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> Mailing list, or to find the online archives, please visit:
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> 
> 
> Dixielandjazz mailing list
> Dixielandjazz at ml.islandnet.com
> 
> 
> _______________________________________________
> To unsubscribe or change your e-mail preferences for the Dixieland Jazz 
> Mailing list, or to find the online archives, please visit:
> 
> http://ml.islandnet.com/mailman/listinfo/dixielandjazz
> 
> 
> 
> Dixielandjazz mailing list
> Dixielandjazz at ml.islandnet.com
> 
> 
> 
> 
> ------------------------------
> 
> Message: 2
> Date: Thu, 2 Sep 2010 17:48:34 -0700
> From: "Robert Ringwald" <rsr at ringwald.com>
> To: "DJML" <dixielandjazz at ml.islandnet.com>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Subject: [Dixielandjazz] Shameless Plug, Sacramento Area
> Message-ID: <F20BD6B6E37B4681B32BFAA8F1ECBB03 at hplap>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> High Hand Cafe, Nursery and Art Gallery
> 
> Every Saturday night, 6:00 - 8:30 PM
> Bob Ringwald, piano; Darrell Fernandez, bass.
> 3790 Taylor Road Loomis, CA
> Reservations are strongly suggested: 916/ 652-2064
> Dress is casual -- Kid friendly.
> 
> Be sure to say hi to the owner Scott Paris, the manager Jan and the bartender Jillian . In fact, all the employees are really nice and happy to serve you. 
> 
> Check out their web site. 
> 
> www.highhand.com
> 
> 
> From Sacramento Magazine:
> Price Range: Moderate
> Cuisine: American, California
> Offering one of the most stunning dining locations in the greater Sacramento 
> area.
> 
> Well worth the trip to Loomis from just about anywhere in the Sacramento 
> region.
> 
> High Hand Cafe proudly showcases products sourced from many of Placer 
> County's small farms. Situated on a historic fruit-packing corridor in Loomis, the cafe is snuggled
> up against the gorgeous High Hand Nursery in an all-glass atrium filled with 
> potted magnolia trees and vibrant tulips. Sun-flooded and airy, the High Hand Cafe serves
> wholesome, earnest food devoid of fanciful garnishes or esoteric 
> ingredients. This is simple, belly-pleasing fare, from the fresh albacore tuna melt and 
> spinach salad with local Asian pears and toasted hazelnuts) to the wood-fired oven pizzas 
> (try the chicken with fresh basil pesto pizza) and the rotisserie pork loin with 
> organic chard and rosemary mashed potatoes.)
> 
> High Hand gets packed quickly-L Loomis residents have
> embraced this cafe with fervor, so be sure to make reservations, 
> 916/ 652-2064.
> 
> Do make time before or after your meal to stroll through the High Hand 
> nursery, surely the most fetching and strikingly designed nursery in Placer County. Wind 
> chimes tinkle in the breeze, a tabby nursery cat licks his paws as he curiously observes 
> the visitors. tall trees provide delicious shade on hot days, and there's even a koi pond 
> with darting, jewel-like fish that will fascinate your kids.
> 
> Payment methods: MasterCard and Visa only
> Alcohol: Beer and wine
> Corkage fee: $15
> 
> 
> --Bob Ringwald
> www.ringwald.com
> Fulton Street Jazz Band
> 916/806-9551
> 
> 
> 
> 
> 
> ------------------------------
> 
> Message: 3
> Date: Thu, 2 Sep 2010 21:03:49 -0400
> From: "Bob Cassady" <bcassady at booze-bros.com>
> To: <dixielandjazz at ml.islandnet.com>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Subject: [Dixielandjazz] Looks like an interesting book
> Message-ID: <A6ED9AB51CF04AA5851355DEFC3BFCC1 at Cassady>
> Content-Type: text/plain; format=flowed; charset="iso-8859-1";
> reply-type=original
> 
> Hope Santa reads this...
> 
> http://www.offbeat.com/2010/09/01/how-can-you-explain-new-orleans/
> 
> Bob Cassady
> Knoxville, TN
> 
> 
> 
> ------------------------------
> 
> Message: 4
> Date: Thu, 2 Sep 2010 18:34:07 -0700
> From: "Robert Ringwald" <rsr at ringwald.com>
> To: "DJML" <dixielandjazz at ml.islandnet.com>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Subject: Re: [Dixielandjazz] wedding in the U.K.
> Message-ID: <591A20D6A6764F31BFAA28C9427C3C27 at hplap>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> Jim, 
> 
> Congrats to you and to your daughter. 
> 
> Bob
> 
> 
> 
> 
> ----- Original Message ----- 
> From: "Jim Kashishian" <jim at kashprod.com>
> To: "Bob Ringwald" <rsr at ringwald.com>
> Cc: "Dixieland Jazz Mailing List" <dixielandjazz at ml.islandnet.com>
> Sent: Wednesday, September 01, 2010 1:50 AM
> Subject: [Dixielandjazz] wedding in the U.K.
> 
> 
> > As I mentioned earlier on djml, I was to attend my daughter's wedding in the
> > U.K. and that Roy Kirby's Paragon Jazz Band was to play the reception.
> > 
> > Well, that all took place as planned on August 6th at Berkely Castle in
> > Gloucester. My wife & I were originally looking into Irish music for the
> > reception due to the large group of Irish relatives that would be there, but
> > my daughter contacted this particular band, which was a nice surprise for
> > me.
> > 
> > Roy plays banjo, and had a clarinet/sax player, a trombonist, and a keyboard
> > player. They were situated outside the castle walls when we all arrived for
> > cocktails, croquet, and chatter on the castle lawns. All very Brriiitish! 
> > 
> > At one point, the trombonist (name now slips me) gave up his horn and played
> > tuba so I could put in my mouthpiece for a quick number....Running Wild! If
> > anyone on djml happens to see anyone in that band, say hello for me. The
> > band was particularly successful for the reception, adding a pleasant
> > background. 
> > 
> > After a sit down meal in the 1,000 yr old dining room, a London based 1980's
> > style band took over (Fake Tan). They were loud, but excellent...both as
> > musicians & showmen. Not a single person remained in their chairs for the
> > rest of the evening.
> > 
> > My daughter, Aisling, was wonderfully relaxed throughout what could have
> > been a nervous walk up the aisle. The Catholic priest, in a very successful
> > attempt at tolerance (something badly needed in this world today!) invited
> > anyone up for a blessing (whatever their belief) during Holy Communion. I
> > have never seen my daughter so radiant! Still brings tears to my eyes. All
> > 5 of my children descended on England from all parts of the world, as did
> > many other relatives. The unusually good weather was even a blessing that
> > day!
> > 
> > Jim
> > _______________________________________________
> > To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:
> > 
> > http://ml.islandnet.com/mailman/listinfo/dixielandjazz
> > 
> > 
> > 
> > Dixielandjazz mailing list
> > Dixielandjazz at ml.islandnet.com
> 
> 
> 
> ------------------------------
> 
> Message: 5
> Date: Fri, 3 Sep 2010 09:55:15 +1000
> From: Bill Haesler <bhaesler at bigpond.net.au>
> To: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Subject: [Dixielandjazz] Bill Russell talking with Mike Pointon - Part
> 4 (Final)
> Message-ID: <D8381A84-658A-4F6B-AAEE-BC0C1F560E35 at bigpond.net.au>
> Content-Type: text/plain; charset=us-ascii
> 
> On 26/08/2010, at 10:11 AM, Bill Haesler wrote:
> > For those of you following the extremely interesting Bill Russell/Mike Pointon interview series, Geoff Gilbert has advised me that the 4th and Final episode is now available on his website
> > www.geoffgilbertsneworleansjazz.com. 
> 
> Dear mates,
> Wow. 
> 26/08/10.
> Where has that one been?
> It just came in with the <The River Boat Five on a Swinging Date> email from Me <crystaltedder at bellsouth.net>.
> Kind regards,
> Bill.
> 
> 
> 
> 
> 
> ------------------------------
> 
> Message: 6
> Date: Fri, 3 Sep 2010 01:59:29 GMT
> From: "Bert Thompson" <dr_bert at juno.com>
> To: dixielandjazz at ml.islandnet.com
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Subject: Re: [Dixielandjazz] Need e-mail address
> Message-ID: <20100902.185929.19484.1 at webmail18.dca.untd.com>
> Content-Type: text/plain; charset=windows-1252
> 
> Appreciate the responses to my SOS for Norrie Thomson's e-mail address. I have been able to get in touch with him, thanks to all y'all.
> 
> Regards,
> Bert Thompson
> ____________________________________________________________
> Globe Life Insurance
> $1* Buys $50,000 Life Insurance. Adults or Children. No Medical Exam.
> http://thirdpartyoffers.juno.com/TGL3131/4c8056ac910c198ae65st04duc
> 
> ------------------------------
> 
> Message: 7
> Date: Thu, 2 Sep 2010 22:44:46 EDT
> From: JBruno868 at aol.com
> To: rsr at ringwald.com
> Cc: dixielandjazz at ml.islandnet.com
> Subject: Re: [Dixielandjazz] Bobby Gordon
> Message-ID: <1a3409.a47b51f.39b1bb1e at aol.com>
> Content-Type: text/plain; charset="US-ASCII"
> 
> 
> 
> In a message dated 9/2/2010 4:50:17 P.M. Pacific Daylight Time, 
> rsr at ringwald.com writes:
> 
> Someone asked about Bobby Gordon. He will be playing at the San Diego 
> Festival
> 
> Excellent. I haven't heard him play in way to long.
> 
> Jazz Hugs
> 
> Judie
> 
> 
> ------------------------------
> 
> Message: 8
> Date: Fri, 03 Sep 2010 01:18:32 -0400
> From: Don Ingle <cornet at 1010internet.com>
> To: JBruno868 at aol.com
> Cc: dixielandjazz at ml.islandnet.com
> Subject: Re: [Dixielandjazz] Bobby Gordon = more on this player
> Message-ID: <4C808528.3080309 at 1010internet.com>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
> 
> JBruno868 at aol.com wrote:
> > In a message dated 9/2/2010 4:50:17 P.M. Pacific Daylight Time, 
> > rsr at ringwald.com writes:
> >
> > Someone asked about Bobby Gordon. He will be playing at the San Diego 
> > Festival
> > 
> > Excellent. I haven't heard him play in way to long.
> > 
> > Jazz Hugs
> > 
> > Judie
> > _______________________________________________
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> >
> > http://ml.islandnet.com/mailman/listinfo/dixielandjazz
> >
> >
> >
> > Dixielandjazz mailing list
> > Dixielandjazz at ml.islandnet.com
> >
> >
> > 
> 
> I first heard Bobby Gordon play when I was working with Freddie Fisher 
> in Aspen 1959 and he was being mentored by Joe Marsala. Joe broought 
> himaround tosit in with the baqnd and for a 16-year old he played quite 
> well - with a definate Marsala influence at the time. He has since 
> developed his own voice on the clarinet, and willworth going to hear any 
> time he's on the bill.
> But time to time I still hear a bit of Joe sneakign in for a phrase or 
> two, and that's a tribute to anolf pro who took time to work and mentor 
> a youngster, just as Red Nicholks was my mentor when I was 12. All we 
> older players need to pass it on - or what ever we might have to 
> contribute will be lost.
> I am sorry that Bobby never gets up north to the Michigan woods "I call 
> home now, or I'd drop my fly rod and head for his gig in a flash.
> Don Ingle
> 
> 
> 
> ------------------------------
> 
> Message: 9
> Date: Fri, 3 Sep 2010 07:35:24 -0700
> From: "Robert Ringwald" <rsr at ringwald.com>
> To: "DJML" <dixielandjazz at ml.islandnet.com>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Subject: [Dixielandjazz] Some Birthdays Sept 3
> Message-ID: <634C863DBE774A86858DC18104B5ED76 at hplap>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> 1910: Kitty Carlisle Hart
> 1915: Memphis Slim
> 1916: Trigger Alpert
> 1916: Clyde Hurley
> 
> 
> --Bob Ringwald
> www.ringwald.com
> Fulton Street Jazz Band
> 916/806-9551
> Amateur (Ham) Radio K6YBV
> 
> "We contend that for a nation to try to tax itself into prosperity is like a man standing
> in a bucket and trying to lift himself up by the handle"
> -- Winston Churchill
> 
> 
> 
> 
> ------------------------------
> 
> Message: 10
> Date: Fri, 3 Sep 2010 17:25:33 +0200
> From: "Jim Kashishian" <jim at kashprod.com>
> To: <dixielandjazz at ml.islandnet.com>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Subject: [Dixielandjazz] "Our Philly Friends" videos
> Message-ID: <425DE82E3D0540F6A66ABEF82521026B at JIM>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> 
> CANAL STREET JAZZ BAND with our "PHILLY FRIENDS" 
> 
> During one of our monthly gigs at the Caf? Populart in Madrid (August,
> 2010), the Canal Street Jazz Band played host to friends from the
> Philadelphia Pops Orchestra. They were on their way to a Classical Music
> Festival in Santander (Northern Coast), and had a few nights in Madrid.
> 
> My good friend, bass trombonist Mike Purdy, came over a few days before the
> orchestra, and two other trombonist friends stayed, along with Mike at our
> house for 2 nites. Brian Pastor (leader of his own big band in
> Philadelphia...www.brianpastorbigband.com) and Dave Ciani were the two
> trombonists. We played some great trombone quartet pieces that Mike brought
> along (both classical & jazz) in my studio together, as the guys all needed
> some "chops time" before their gig with the orchestra.
> 
> Since we (Canal Street Jazz Band) had a gig that whole week, various members
> of the orchestra dropped in on different nites to have a honk with us.
> There were a number of combinations of musicians on stage with us those
> nites, and I got some on video which can be seen at the following YouTube
> addresses.
> 
> Musicians included the aforementioned trombonists Brian Pastor & Dave Ciani,
> trumpeter Bob Gravener, Joe Smith on clarinet, bassist Doug Map, and even a
> french horn...Adam Lesnick (on Blackbird). Listen out for the "3 trombones
> alone" chorus on Sweet Georgia Brown & again on A Train (Bones version). 
> 
> The audiences were literrally stunned! Many have never seen a trombone, let
> alone heard 3 together!! It was a great sonoral thrill for the musicians &
> the audience.
> 
> Jim
> 
> Sweet Georgia Brown: <http://www.youtube.com/watch?v=n8NfysfHWK4>
> http://www.youtube.com/watch?v=n8NfysfHWK4 
> Avalon; http://www.youtube.com/watch?v=bNofop676FI
> A Train (Bones): <http://www.youtube.com/watch?v=pjMddcFe0Z0>
> http://www.youtube.com/watch?v=pjMddcFe0Z0 
> Take the A Train: http://www.youtube.com/watch?v=_sPHzkKF9Bw
> Bye Bye Blackbird: http://www.youtube.com/watch?v=s3GjBRjG5k0
> Break Time: http://www.youtube.com/watch?v=PM1Q8m1u8_s
> 
> 
> ------------------------------
> 
> _______________________________________________
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> 
> End of Dixielandjazz Digest, Vol 93, Issue 4
> ********************************************