[Dixielandjazz] Dixielandjazz Digest, Vol 94, Issue 42

Jonathan Fairman jgfairman at sbcglobal.net
Sat Oct 30 18:04:17 PDT 2010



dixielandjazz-request at ml.islandnet.com wrote:

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>Today's Topics:
>
>   1. Re: Free Gift (Kevin Yeates)
>   2. New Hot Jazz Channel show now live (Brian Harvey)
>   3. Gone with the Wind - almost! (Don Ingle)
>   4. Dorado Schmitt at Birdland (Bill Haesler)
>   5. Melissa at High Hand Cafe, Sacramento,	Auburn CA Area, Sat
>      Oct 30 (Robert Ringwald)
>   6. Re: Dorado Schmitt at Birdland (Stephen G Barbone)
>   7. Some Birthdays Oct 29 (Robert Ringwald)
>   8. Re: Gone with the Wind - almost! (Phil Wilking)
>   9. Fwd: [C] Walter Payton, longtime New Orleans jazz bassist and
>      educator, dies at 68 (Nita Hemeter)
>  10. Happy Birthday Oct 30 (Robert Ringwald)
>
>
>----------------------------------------------------------------------
>
>Message: 1
>Date: Fri, 29 Oct 2010 12:24:48 -0700 (PDT)
>From: Kevin Yeates <kyeates at yahoo.com>
>To: dixielandjazz at ml.islandnet.com
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: Re: [Dixielandjazz] Free Gift
>Message-ID: <164084.72909.qm at web50903.mail.re2.yahoo.com>
>Content-Type: text/plain; charset=iso-8859-1
>
>
>Stephen Barbone,
>
>You mentioned that people have learned to dance to " to that 'businessman's two step'".
>My band has been teaching a few dance steps to the audiences including the two step. Can you enlighten me as to what the Businessman's two step is.
>
>Kevin Yeates
>Vancouver, Canada
>?
>The society folks around here learned to dance to that "businessman's two step. These songs are still VERY popular with the 40 to 80 year old audience, generally and the 20 to 80 year old society folks.
>
>
>
>
>
>
>------------------------------
>
>Message: 2
>Date: Wed, 27 Oct 2010 20:14:12 +0100
>From: "Brian Harvey" <brian at radiojazz.co.uk>
>To: "Brian Harvey" <brian at radiojazz.co.uk>
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: [Dixielandjazz] New Hot Jazz Channel show now live
>Message-ID: <HLEKLDJJDIAAELPFFOABGEABDGAA.brian at radiojazz.co.uk>
>Content-Type: text/plain;	charset="iso-8859-1"
>
>
>
>The latest Hot Jazz Channel show is now live at www.radiojazz.co.uk
>
>Featured in this special anniversary show are many important new CDs
>including one from Archeophone Records with tracks which many consider to be
>rewriting early jazz history.
>
>Overall the show includes tracks by Humphrey Lyttelton, Gentleman Jim
>McIntosh' Jazzaholics, the Ruby Braff Octet with Pee Wee Russell, Wilbur
>Sweatman's Original Jazz Band of 1919, Art Hickman's Orchestra (San
>Francisco 1919), The Benson Orchestra of Chicago (1920), the Hurricane Brass
>Band, the Dixieland Crackerjacks, the French Preservation Jazz Band with
>Fred Vigorito and J-P Alessi,  Chris Barber's Jazz Band, the One More Time
>Jazz Band, Kid Ory with Jack Teagarden and Red Allen, Cy Laurie's Jazz band,
>Champion Jack Dupree and Ken Colyer's All-Stars.
>
>The  not-for-profit Hot Jazz Channel shows are engineered and web-edited by
>John Booth and arranged and produced by Brian Harvey as a service to the
>music,
>
>
>------------------------------
>
>Message: 3
>Date: Fri, 29 Oct 2010 17:10:13 -0400
>From: Don Ingle <cornet at 1010internet.com>
>To: DJML <Dixielandjazz at ml.islandnet.com>
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: [Dixielandjazz] Gone with the Wind - almost!
>Message-ID: <4CCB3835.8030003 at 1010internet.com>
>Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
>Your Far North resident of the big pines of Nothern Michigan is happy to 
>be back on line.
>Outside of aching in places best left undescribed from lugging in loads 
>of firewood to heat the wood stove, and feeling the looks of other 
>locals who recognize the lack of soap and water to wash away the soot 
>and sweat for lack of running water, the Ingles are still alive and 
>happy to say that the recent wind storms that left us without power to 
>run our furnace, well, stove, lights, flush john - and worse of all, 
>CD/DVD players are over.
>After two days of night time lows in the below freeing mark, heating a 
>can of something (not sure what by the light of a candle) for a meal on 
>the top of the woodburner, and damn near running out of any decent 
>single malt, the power was restored after 49 hours, two butt- freezing 
>nights, and a firewood hualing back that says this pioneer lifestyle was 
>great when I was forty but at just shy of 80 ain't what it used to be.
>A large oak at neighbor's house down the block was struck by the force 
>of a 75 mph wind and broke off, taking down the power line that served 
>our  street. For that neighbor it was worse, the tree falling atop his 
>new snazzy sports sedan and making a metallic flapjack out of it.
>We just lost one strip of siding trim from our humble abode.
>Well, you might say, what does this have to do with OKOM. Simple - the 
>events reminded me of a great song, thanks to Mr. Mel Torme. "GONE WITH 
>THE WIND."
>Add to that "Singing in the Rain (shower)."  "Baby it's Cold Outside," 
>"Old Folks," and
>"That's All..." at least we certainly hope so.
>Hope all our fellow listees who heard the howling winds in their 
>neighborhood fared well and safely.
>Every so often God sends these little reminders - "I'm still here!"
>Thank you Lord, so are we.
>Don Ingle
>
>
>
>
>
>------------------------------
>
>Message: 4
>Date: Sat, 30 Oct 2010 08:16:05 +1100
>From: Bill Haesler <bhaesler at bigpond.net.au>
>To: Stephen G Barbone <barbonestreet at earthlink.net>,	Dixieland Jazz
>	Mailing List <dixielandjazz at ml.islandnet.com>
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: [Dixielandjazz] Dorado Schmitt at Birdland
>Message-ID: <36B029B5-410B-4BB4-9D3C-5C44B05277F3 at bigpond.net.au>
>Content-Type: text/plain; charset=us-ascii
>
>Stephen G Barbone provided two YouTube clips:
>   http://www.youtube.com/watch?v=4a64uyOUw_A&feature=related
>   http://www.youtube.com/watch?v=APUgeMICp9I&feature=related
>
>"OMG!" (as our grandkids say) - they've included a washboard player!
>Django, who probably never saw or heard one, would be spinning in his grave.
>And who plays what in the videos?
>Very kind regards,
>Bill.
>
>
>
>------------------------------
>
>Message: 5
>Date: Fri, 29 Oct 2010 15:05:56 -0700
>From: "Robert Ringwald" <rsr at ringwald.com>
>To: "DJML" <dixielandjazz at ml.islandnet.com>
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: [Dixielandjazz] Melissa at High Hand Cafe, Sacramento,	Auburn
>	CA Area, Sat Oct 30
>Message-ID: <0FFF7847CF3B4700887A6E7E58CE561B at hplap>
>Content-Type: text/plain;	charset="iso-8859-1"
>
>Listmates,
>
>Here is another one of those shameless plugs...  
>
>While Darrell Fernandez and I are playing the Pismo Jazz Festival with the Fulton street Jazz Band, we are proud to have Melissa Collard and her hubby Scott filling in for us at the High Hand Cafe this Sat night Oct 30, 6:00 - 8:30 PM.  
>
>Darrell and I will be back on Nov 6.  
>
>If the weather is cold or rainy, don't worry.  The big doors can be closed and there is radiant heating in the floors, as well as regular heaters.  And if that isn't enough, the music will be both hot and cool.  
>
>High Hand Cafe, Nursery and Art Gallery
>
>Every Saturday night, 6:00 - 8:30 PM
>Just a short drive up I-80 from Sacramento.  See directions below: 
>
>Melissa Collard guitar and vocal, Scott Collard piano.  
>
>This week's suggestion:
>Start off with one of the High Hand Cafe's delicious Starters.  
>
>Then have the High Hand Cafe's famous Rotisserie Chicken.  
>
>Top off dinner with a delicious home made (made on the premises) cobbler with a generous scoop of ice-cream.  Then finish this wonderful dinner with the High Hand's special Cafe Lotte.  
>
>The High Hand Cafe is located at: 
>3790 Taylor Road Loomis, CA
>
>>From Sacramento, go east on I-80.  Pull off at Sierra College Blvd. and go left across the freeway.  
>
>Turn right on Taylor Road and the High Hand Cafe and Nursery is a mile or so on your left.  
>
>Dress is casual -- Kid friendly.
>
>Be sure to say hi to the owner Scott Paris, and the manager Jan.  
>
>Come early and take a stroll through the beautiful grounds.  
>
>Check out their web site.  
>
>www.highhand.com
>
> 
> From Sacramento Magazine:
>Price Range: Moderate
>Cuisine: American,  California
>Offering one of the most stunning dining locations in the greater Sacramento 
> area.
>
>Well worth the trip to Loomis from just about anywhere in the Sacramento 
> region.
>
>High Hand Cafe proudly showcases products sourced from many of Placer 
> County's small farms. Situated on a historic fruit-packing corridor in Loomis, the cafe is snuggled
> up against the gorgeous High Hand Nursery in an all-glass atrium filled with 
> potted magnolia trees and vibrant tulips. Sun-flooded and airy, the High Hand Cafe serves
>wholesome, earnest food devoid of fanciful garnishes or esoteric 
> ingredients. This is simple, belly-pleasing fare, from the fresh albacore tuna melt and 
> spinach salad with local Asian pears and toasted hazelnuts) to the wood-fired oven pizzas 
>(try the chicken with fresh basil pesto pizza) and the rotisserie pork loin with 
> organic chard and rosemary mashed potatoes.)
>
>High Hand gets packed quickly-L Loomis residents have
>embraced this cafe with fervor, so be sure to make reservations, 
>916/ 652-2064.
>
>Do make time before or after your meal to stroll through the High Hand 
> nursery, surely the most fetching and strikingly designed nursery in Placer County. Wind 
> chimes tinkle in the breeze, a tabby nursery cat licks his paws as he curiously observes 
> the visitors.  tall trees provide delicious shade on hot days, and there's even a koi pond 
> with darting, jewel-like fish that will fascinate your kids.
>
> Payment methods: MasterCard and Visa only
>Alcohol: Beer and wine
>Corkage fee: $15
>
>
>--Bob Ringwald
>www.ringwald.com
>916/806-9551
>
>
>
>
>------------------------------
>
>Message: 6
>Date: Fri, 29 Oct 2010 19:30:46 -0400
>From: Stephen G Barbone <barbonestreet at earthlink.net>
>To: Bill Haesler <bhaesler at bigpond.net.au>
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: Re: [Dixielandjazz] Dorado Schmitt at Birdland
>Message-ID: <935D5195-F779-4847-B500-19F7B39C14E1 at earthlink.net>
>Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
>
>
>On Oct 29, 2010, at 5:16 PM, Bill Haesler wrote:
>
>> Stephen G Barbone provided two YouTube clips:
>>   http://www.youtube.com/watch?v=4a64uyOUw_A&feature=related
>>   http://www.youtube.com/watch?v=APUgeMICp9I&feature=related
>>
>> "OMG!" (as our grandkids say) - they've included a washboard player!
>> Django, who probably never saw or heard one, would be spinning in  
>> his grave.
>> And who plays what in the videos?
>> Very kind regards,
>> Bill.
>
>I don't know that Django was one eyed Bill. <grin> I think he would  
>have loved these musicians, the washboard and the annual event at  
>Birdland. After all, he was reportedly one of the first people in  
>France to dig the music of Charlie Parker and Dizzy Gillespie and I  
>think it shows in his last recordings. (Dizzy dug Django also)
>
>On Sweet Georgia Brown the musicians, besides Dorado Schmidt on guitar  
>are:
>
>Dan Levinson Clarinet,  Peter Beets piano, Mayo Hubert rhythm guitar,  
>Brian Torff, Dbl Bass, David Langlois washboard. Winard Harper is  
>listed, but I do not see him there. He is a black drummer from NYC.  
>James Carter is also listed but I don't see him either. He is a black  
>Saxophone/ flute/ bass clarinet player and cousin of violinist Regina  
>Carter.
>
>ON Dark Eyes besides Dorado the musicians are:
>
>David Langlois WB, Brian Torff Dbl Bs, Abgelo Debarre guitar, Samson  
>Schmitt guitar, Ludovic Beier accordian, Pierre Blanchard violin, Lew  
>Tabakcin, tenor sax, Roger Kellaway piano. The clarinetist, who is not  
>listed is Ken Peplowski. The drummer also not listed and hard to see,  
>may be Winard Harper.
>
>Cheers,
>Steve Barbone
>www.myspace.com/barbonestreetjazzband
>
>
>
>
>
>
>
>
>------------------------------
>
>Message: 7
>Date: Fri, 29 Oct 2010 21:41:34 -0700
>From: "Robert Ringwald" <rsr at ringwald.com>
>To: "DJML" <dixielandjazz at ml.islandnet.com>
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: [Dixielandjazz] Some Birthdays Oct 29
>Message-ID: <0771875AC6804AD4AED3820B483E82E8 at hplap>
>Content-Type: text/plain;	charset="iso-8859-1"
>
>1891: Fanny Brice
>1922: Neal Hefti
>1925: Zoot Sims
>
>
>--Bob Ringwald
>www.ringwald.com
>Fulton Street Jazz Band
>530/ 642-9551 Office
>916/ 806-9551 Cell
>Amateur (Ham) Radio K6YBV
>
>There are two rules for success:
>1.  Don't tell all you know.
>
>
>
>
>------------------------------
>
>Message: 8
>Date: Sat, 30 Oct 2010 01:27:11 -0500
>From: "Phil Wilking" <philwilking at bellsouth.net>
>To: "Mailing List DIXIELAND JAZZ" <dixielandjazz at ml.islandnet.com>
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: Re: [Dixielandjazz] Gone with the Wind - almost!
>Message-ID: <01E50274612E42098A074205C4715BF3 at droolingidiot>
>Content-Type: text/plain; format=flowed; charset="iso-8859-1";
>	reply-type=response
>
>To semi-quote Robert A. Heinlein: 'Adventure is someone ELSE far, far away 
>having a miserable time.'
>
>Phil Wilking
>
>Those who would exchange freedom for
>security deserve neither freedom nor security.
>
>----- Original Message ----- 
>From: "Don Ingle" <cornet at 1010internet.com>
>
>
>> After two days of night time lows in the below freeing mark, heating a can 
>> of something (not sure what by the light of a candle) for a meal on the 
>> top of the woodburner, and damn near running out of any decent single 
>> malt, the power was restored after 49 hours, two butt- freezing nights, 
>> and a firewood hualing back that says this pioneer lifestyle was great 
>> when I was forty but at just shy of 80 ain't what it used to be.
>> 
>
>
>
>------------------------------
>
>Message: 9
>Date: Sat, 30 Oct 2010 09:36:59 -0500
>From: Nita Hemeter <nhemeter at gmail.com>
>To: dixielandjazz at ml.islandnet.com
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: [Dixielandjazz] Fwd: [C] Walter Payton, longtime New Orleans
>	jazz bassist and educator, dies at 68
>Message-ID:
>	<AANLkTinu+1kDjhM6t9fQ+6a10FSANRMXHOu0QRV5Etk3 at mail.gmail.com>
>Content-Type: text/plain; charset=ISO-8859-1
>
>Thought everyone might be interested in this.  Nita Hemeter
>
>
>Walter Payton, longtime New Orleans jazz bassist and educator, dies at 68
>by Keith Spera, The Times-Picayune
>
>See photos and video:
>http://www.nola.com/music/index.ssf/2010/10/walter_payton_longtime_new_orl.html
>
>Walter Payton Jr., the genial bassist who anchored the Preservation Hall
>Jazz Band and shaped generations of public school students, died Thursday at
>Kindred Hospital-New Orleans following a lengthy illness. He was 68.
>
>Mr. Payton, the father of Grammy-winning trumpeter Nicholas Payton, was an
>exceptionally versatile musician and an exceptionally engaging personality.
>A student of music theory and music history, he could easily switch from
>electric bass to upright acoustic bass, from rhythm & blues to traditional
>jazz to modern jazz. He was also an accomplished classical musician who, for
>many years, kept a grand piano in his parlor. His recording credits include
>Aaron Neville's "Tell It Like It Is" and Lee Dorsey's "Working in a Coal
>Mine."
>
>He grew up on Annunciation Street. As a boy, he played sousaophone and
>dismissed his grandmother's suggestion that he take up the string bass.
>"Naw, I don't see nothing but old men playing those things," he said,
>recalling the scene in a 2008 interview. "I don't want to do that."
>
>But on Easter 1958, he attended a performance at the Municipal Auditorium by
>James Moody and Ellis Marsalis' New Orleans Jazz Quintet. "The bass players
>in both groups, they were having so much fun," he said. "More fun than
>anyone else in the band. There were literally dancing with their basses."
>
>He was sold on the instrument. Decades later, he described its appeal. The
>upright bass is "shaped just like a lady," he said, laughing. "The hips, the
>waist. And the best thing is, she don't do nothing you don't tell her to.
>She don't talk back. If you press her in the right place, she says just what
>you want her to say. And no more."
>
>Other than a brief time spent working in the cafeteria of Xavier University,
>he made a living in music. After graduating from Xavier with a degree in
>music education, he spent the next 25 years teaching in the New Orleans
>public school system. During his years at McDonogh 15 elementary in the
>French Quarter, he taught music and organized the school band; in the '70s,
>he conducted the young band at the New Orleans Jazz and Heritage Festival.
>
>He influenced many aspiring musicians, including his future boss,
>Preservation Hall creative director Ben Jaffe. ?When I was his student ? and
>I still consider myself his student ? Walter was a bit scary,? Jaffe once
>recalled. ?But he had a lasting impact on me. He instilled in me a respect
>for music.?
>
>Throughout his teaching career, Mr. Payton also worked as a professional
>musician in a variety of settings. He marched with various brass bands,
>including the Eureka, Olympia. Treme and Apollo. He made his debut at
>Preservation Hall in 1965 and worked at the old Dew Drop Inn and the
>original Blue Room at the Fairmont Hotel.
>
>After retiring from the school system in 1991, he plunged headlong into the
>life of a fulltime musician. With his Snap Bean and Gumbo File combos and
>with the Preservation Hall Jazz Band, he traveled the globe. ?I love being
>on the road,? Mr. Payton said in 2008. ?I love it, love it, love it.?
>
>Along the way he performed at Carnegie Hall, accompanied symphony orchestras
>and backed Robert Parker, Nancy Wilson, Harry Connick Jr., Clark Terry, Doc
>Paulin, the king of Thailand, and many more. He contributed to his son
>Nicholas' 2001 Louis Armstrong tribute "Dear Louis."
>
>Mr. Patyon was a robust man who at one point was an avid kick-boxer and
>martial arts practitioner. Married four times, he was quick with a sly smile
>and an even slyer line.
>
>?He always used to say to girls, ?When did you leave heaven? You?re so
>beautiful,?? recalled Michael Paz, the Preservation Hall Jazz Band's road
>manager.
>
>Mr. Payton suffered a stroke in January while in Washington D.C. on tour
>with Preservation Hall. He eventually returned to New Orleans, but never
>recovered sufficiently to return to the road. He had been in and out of
>hospitals for several months.
>
>?I saw him a couple days ago, and he spoke to me a little, which he hadn?t
>done the last few times I saw him,? Paz said.
>
>Funeral arrangements are pending.
>
>
>Keith Spera can be reached at kspera at timespicayune.com or 504.826.3470.
>
>
>_______________________________________________
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>
>
>------------------------------
>
>Message: 10
>Date: Sat, 30 Oct 2010 11:32:45 -0700
>From: "Robert Ringwald" <rsr at ringwald.com>
>To: "DJML" <dixielandjazz at ml.islandnet.com>
>Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
>Subject: [Dixielandjazz] Happy Birthday Oct 30
>Message-ID: <1230E928731E4B919BC4BADE2483DAD7 at hplap>
>Content-Type: text/plain;	charset="iso-8859-1"
>
>1930: Clifford Brown
>
>--Bob Ringwald
>www.ringwald.com
>Fulton Street Jazz Band
>530/ 642-9551 Office
>916/ 806-9551 Cell
>Amateur (Ham) Radio K6YBV
>
>There are two rules for success:
>1.  Don't tell all you know.
>
>
>
>
>------------------------------
>
>_______________________________________________
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>
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>
>End of Dixielandjazz Digest, Vol 94, Issue 42
>*********************************************


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