[Dixielandjazz] Review of The Who
Stephen G Barbone
barbonestreet at earthlink.net
Tue Feb 9 11:13:45 PST 2010
Since we've been discussing The Who, here is the NY Times report about
them and The Super Bowl Halftime show. Note the line: "It was music
born to be heard in arenas and stadiums." IMO that says it all. Note
also, these were songs of the 1960s.
Cheers,
Steve Barbone
www.myspace.com/barbonestreetjazzband
February 8, 2010 - NY Times - By Jon Pareles
In Halftime Show, the Who Exhibits Flashes of Age and Familiarity
Lasers, lights and fireworks were flashing full-tilt through the Who’s
halftime show Sunday at Super Bowl XLIV. It looked as if the producers
were worried that the rock geezers at the center — the guitarist and
songwriter Pete Townshend, 64, and the singer Roger Daltrey, 65 —
might not look heroic enough to the camera. Townshend, in a porkpie
hat and shades with a black suit hanging off his lanky frame, was
grizzled. Daltrey, in a striped neo-Mod jacket and a scarf, revealed a
voice that was raspy and thick. But the Who still had the stadium
shouting along on choruses Townshend wrote decades ago: “Who are you”
and “We don’t get fooled again!”
The Who didn’t hazard “My Generation,” with its famous line “Hope I
die before I get old,” or the other songs written in guitar-smashing
youth as the Who got its start. (The band didn’t break any equipment
for this finale, either.)
Instead, for what was probably its biggest one-time viewing audience,
the Who chose repertory from Townshend’s increasingly ambitious
late-1960s albums and afterward, when he was already taking a grown-
up’s point of view: “Pinball Wizard” and the gentle “See me, feel me”
snippet from his 1969 rock opera “Tommy”; “Baba O’Riley” and “Won’t
Get Fooled Again” from the 1971 “Who’s Next”; and the title song from
the 1978 “Who Are You.” If there was a 21st-century attention-span
paradox in having the man who wrote rock operas and concept albums
compress his life’s work into 12 minutes — well, Townshend said
beforehand that the medley was Daltrey’s idea.
They were songs about prowess, determination, desperation and rage at
how revolutions fail: an arc of verbal frustration defied, and
explosively overcome, by musical assertiveness, with the power chords
that the Who made ring worldwide. They were songs that expected, and
got, large audiences at the time. It was music born to be heard in
arenas and stadiums, and the halftime show might have been these
songs’ last airing on their accustomed monumental scale.
The Who hasn’t toured lately and doesn’t plan to for the moment.
Townshend said in an N.F.L. news conference that he has “health
issues” with his shoulder and his hearing. But the band didn’t coast
through its 12 minutes — even if the pulsating recorded keyboards of
“Baba O’Riley” and “Won’t Get Fooled Again” gave them a few seconds of
respite.
Townshend put full force into his famous windmilling guitar chords —
echoed by the light display — and in “Who Are You” he hammered on the
strings with a fist. Daltrey belted as if he wouldn’t mind being
hoarse for the next week or two. Their backing musicians hit hard, as
Townshend and Daltrey pumped their fists. And in “Won’t Get Fooled
Again,” when Daltrey sang “the hypnotized never lie” to the television
audience, he added, “Do ya?”
But Townshend can’t exactly “pick up my guitar and play, just like
yesterday,” as “Won’t Get Fooled Again” vows. The songs are oldies
now, so taken for granted that the Colts regularly use the Who for
their entrance music at games. The turmoil the music captured,
personal and societal, is all but buried by familiarity.
The Who did its best to punk up its songs again, even amid the Super
Bowl’s fiesta of corporate branding, and “Won’t Get Fooled Again” —
the song that got the fullest airing — still had a good part of its
old ferocity. But it was a line in “Baba O’Riley” that touched on what
kind of milestone this brief, happily unkempt, late-career performance
was for the Who. “Let’s get together before we get much older,”
Daltrey sang, looking directly across the stage at Townshend.
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