[Dixielandjazz] Story of demise of a smooth jazz station-- \CattSirten-- Mike Vax
Hal Vickery
hvickery_80 at msn.com
Sun Aug 15 07:18:20 PDT 2010
I have a feeling that when they do a remake of "One Flew Over the Cuckoo's Nest," Nurse Ratched will be playing Kenny G instead of Mantovani.
Hal Vickery
From: vinnyn at verizon.net
To: hvickery_80 at msn.com
Subject: RE: [Dixielandjazz] Story of demise of a smooth jazz station-- \CattSirten-- Mike Vax
Date: Sun, 15 Aug 2010 10:14:55 -0400
Well there is a need for elevator (or lift)
music and this stuff fills that need.
From: Hal Vickery
[mailto:hvickery_80 at msn.com]
Sent: Sunday, August 15, 2010
10:00 AM
To: vinnyn at verizon.net
Subject: RE: [Dixielandjazz] Story
of demise of a smooth jazz station-- \CattSirten-- Mike Vax
I disagree about smooth jazz. I think smooth jazz is
invalid music. I think it's ideal for listening by invalids.
Hal Vickery
> From: vinnyn at verizon.net
> Date: Sat, 14 Aug 2010 22:00:58 -0400
> Subject: Re: [Dixielandjazz] Story of demise of a smooth jazz station--
\CattSirten-- Mike Vax
> CC: dixielandjazz at ml.islandnet.com
> To: hvickery_80 at msn.com
>
>
> There was a station here in New
York, CD101.9, that played its "Smooth
> Jazz". I think the station owned the recording studio because
everything
> sounded as though it all was recorded at one session and I mean
everything.
>
> My take; Smooth jazz is not jazz but pop R&B.
> Fusion is not jazz but rather Rock with hipper chords
>
> These things are valid music and whether you like them or not is left to
> taste but they are erroneously mislabeled.
>
>
> It's as If record executives say "If it's in Bb its jazz"
> "If they use a flatted fifth it's jazz"
> "If the guy plays a soprano (even if his name is Kenny G) it's
jazz"
>
>
>
>
>
> -----Original Message-----
> From: dixielandjazz-bounces at ml.islandnet.com
> [mailto:dixielandjazz-bounces at ml.islandnet.com] On Behalf Of Norman
Vickers
> Sent: Saturday, August 14, 2010 9:00 PM
> To: Vinny
> Cc: Dixieland Jazz Mailing List
> Subject: [Dixielandjazz] Story of demise of a smooth jazz station--
> \CattSirten-- Mike Vax
>
> To: DJML and Musicians and JazzFans list
>
> From: Norman Vickers, Jazz Society of Pensacola
>
>
>
> Trumpeter, jazz educator and leader of the Stan Kenton Alumni Band, Mike
Vax
> responds.
>
>
>
> Thanks, Mike. See Norman'
comments and query below.
>
> From: Mike Vax [mailto:vaxtrpts at aol.com]
> Sent: Friday, August 13, 2010 8:49 PM
> To: nvickers1 at cox.net
> Subject: Re: Story of demise of a smooth jazz station-- Columbus, OH--Catt
> Sirten
>
>
>
> Catt is right on! In the old days and still on some stations, jazz music
> was/is presented by a DJ who not only had/has passion for the music, but a
> wonderful knowledge of the music and of the musicians performing it. Also
> in the "old days," many of the DJ's knew the musicians
personally and hung
> out with them AND went to hear them live.
> For me the biggest problem with these "smooth jazz" radio
stations is the
> fact that they use the word "jazz" at all. Much of the music has
no
> improvisation and many of the cuts are done with a drum machine looped
over
> and over. It's sure too bad it didn't get labeled something like
"smooth
> pop" years ago!!!!
> Mike Vax
>
>
>
> Norman
responds with a comment and query-
>
>
>
> Re "smooth jazz" I read this comment recently in one of the
music
> mags-maybe Downbeat or Jazz Times. Can't remember the musician who said (
> someone can help me on this, maybe)
>
> "smooth jazz is jazz with the teeth removed!"
>
>
>
> Query: what effect has MP3s and iPod, and equivalents, had on listening
> patterns? When LPs and CDs were the standard mode of listening, at least
> purchasers were able to hear an entire album and make opinion from the
> entirety of the album. Also, what is the effect of You Tube video clips,
> Pandora radio via your computer and Sirius and X-M Radio. For various
> reasons, I am not a subscriber to satellite radio, rarely listen to
Pandora
> and rarely listen to "Music Choice" which comes with cable TV
subscription.
> Making an analogy, when there were only three national TV channels, all of
> America
was likely tuned into one. Seems like most of America tuned in to
> Archie Bunker on those nights and discussions raged around the water
cooler.
>
> ( I'm so old, I can remember what it was like with radio and similar-it
was
> a big deal to know who made the "Hit Parade" each week, Red
Skelton and Bob
> Hope.)
>
>
>
> Thanks friends for your comments. I look forward to getting considerable
> erudition from your discussion.
>
>
> --End--
>
>
>
>
>
>
>
>
>
> -----Original Message-----
> From: Norman Vickers <nvickers1 at cox.net>
> To: Norman Vickers <nvickers1 at cox.net>
> Sent: Fri, Aug 13, 2010 5:34 pm
> Subject: Story of demise of a smooth jazz station-- Columbus, OH--Catt
> Sirten
>
> To: Musicians and Jazzfans list
>
> >From Norman Vickers
>
>
>
> Welcome to the list, Catt Sirten. Catt is a broadcaster in the
> Mobile-Pensacola area. His format is jazz-smooth jazz. His broadcasts have
> been featured on various commercial stations and for a couple of years (
> Catt will correct me if my figures are off) on WHIL-FM, a PBS affiliate in
> Mobile. He
home/studio is on Eastern Shore of Mobile Bay. When he was
> broadcasting evenings for WHIL, they'd switch to his studio. We'd
> facetiously say that Catt could broadcast from home in his pajamas. As I
> understand it, he also cultivated his own advertisers.
>
>
>
> Catt has been a friend to jazz in our area, and also personal friend, for
> many years.
>
>
>
> For those interested, see his website <http://www.radioavalon.com>
> www.radioavalon.com
>
>
>
> At my request, he has sent some comments about the story of the demise of
> the smooth jazz format in Columbus,
OH.
>
>
>
> Thanks, Catt. We hope you will contribute often.
>
>
>
> Norman
>
>
>
> From: Catt Sirten [ <mailto:catt at radioavalon.com?>
> mailto:catt at radioavalon.com]
>
> Thanks for the link in reference to the station flipping formats. It's not
> a unique story. I certainly have a perspective on the subject...Smooth
Jazz
> is a modern day equivalent of the old "easy listening" format.
Or at least
> that's the way it's programmed by the corporate entities that now guide
> almost all commercial radio. Low overhead, little promotion, no energy...no
> passion...just "music easy to listen to...". For three-to-six
rating
> periods and then they flip to the next "format du jour".
>
>
>
> What the smooth jazz radio people have never "gotten" is that
music lovers
> are passionate about "their music" regardless of how laid-back,
"high brow",
> or eclectic the music comes across to the non-fan. What they created is a
> passionless format for listeners that, of another generation, listened to
> Mantovani records...not that there's anything wrong with that.
>
>
>
> But the result...in almost every market where "smooth jazz"
exists, is a low
> maintenance station with a small and passive audience that has little
> loyalty to the overall product...because it doesn't give them anything to
be
> loyal to...it's a jukebox...a very passive, low-key jukebox.
>
>
>
> In my opinion for jazz, in any form, to be successful in mass media is for
> the station/website/blog/program/etc to mirror the soul of the music. If
> it's heavy metal, they should have an aggressive attitude...if it's jazz,
> they should be passionate about the music...because their listeners
are...or
> would be, if someone would light the spark.
>
>
>
> If I could use one phrase to describe the demise of radio as a music
medium
> it would be just that "a lack of passion"...and a plethora of
"suits" that
> doesn't understand the difference between John Coltrane and Kenny G. Or
the
> listeners that are attracted to either...or why.
>
>
>
> I would certainly be interested in being on your list.
>
>
>
> Hope all is good on your end.
>
>
>
> Catt
>
>
> --End--
>
>
>
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