[Dixielandjazz] Jazz Etymology

[Hal Vickery]

As Sportin' Life might say, "It ain't necessarily so," at least if Wikipedia is to be believed (which is often problematic):  http://en.wikipedia.org/wiki/Jazz_(word<about:blank>)
  ----- Original Message ----- 
  From: Stephen G Barbone<mailto:barbonestreet at earthlink.net> 
  To: Hal Vickery<mailto:hvickery_80 at msn.com> 
  Cc: Dixieland Jazz Mailing List<mailto:dixielandjazz at ml.islandnet.com> 
  Sent: Wednesday, March 25, 2009 2:49 PM
  Subject: [Dixielandjazz] Jazz Etymology


  For those interested in the more earthy origins of  the word "jazz"  
  and other words to describe OKOM, see below; Sourced at: http://www.apassion4jazz.net/etymology.html<http://www.apassion4jazz.net/etymology.html>

  This is why those of us who play for the kids should use the word  
  "jazz" in our descriptions of the music we play, and why my band uses  
  a little bawdy humor to describe what Jazz is.

  Pornography morphing into musical art? Who would have thought that?  
  <grin>

  Cheers,
  Steve Barbone
  http://www.myspace.com/barbonestreetjazzband<http://www.myspace.com/barbonestreetjazzband>

  Etymology of Jazz
  JAS,  JASS,  JAZ,  JASCZ  or just plain  JAZZ
  "If the truth was really known about the origins of Jazz, it would  
  certainly never be mentioned in polite society."

  The expression arose sometime during the later nineteenth century in  
  the better brothels of New Orleans, which provided music and dancing  
  as well as sex. The original Jazz band, according to Herbert Asbury's  
  The Latin Quarter (1938), was the 'Spasm Band' made up of seven boys,  
  aged twelve to fifteen, who first appeared in New Orleans about 1895.  
  They advertised themselves as the "Razzy Dazzy Spasm Band."
  In c.1900 (see Jazz Timeline) another band adopted the same billing  
  for an appearance at the Haymarket dance hall, it is said the 'Spasms'  
  loaded their pockets with rocks and dropped by to protest the  
  infringement. This prompted the owner of the hall to repaint his  
  advertising placards to read: "Razzy Dazzy Jazzy Band!" If the  
  memories of Asbury's sources were correct (he talked to two surviving  
  members of the 'Spasms') this represents the word's earliest-known  
  appearance in print.
  'Jazz' is not a bad word now, but almost certainly is of extremely low  
  origin, referring to copulation before it was applied to music,  
  dancing, and nonsense (i.e., all that Jazz). The vulgar word was in  
  general currency in dance halls thirty years or more ago" (Clay Smith,  
  Etude 9/24). "According to Raven I. McDavid Sr. of Greenville, S.C.,  
  the 1919 announcement of the first 'Jazz band' to play in Columbia,  
  where he was then serving in the state legislature, inspired feelings  
  of terror among the local Baptists such as what might have been  
  aroused by a personal appearance of Yahweh. Until that time 'Jazz' had  
  never been heard in the Palmetto States except as a verb meaning to  
  copulate" (H. L. Mencken, The American Language Raven I. McDavid Jr.  
  1963). "She never stepped out of line once in all the years we been  
  teamed up. I can't sell her on jazzing the chump now" (William Lindsay  
  Gresham, Nightmare Alley 1946).
  'Jazz' probably comes from a Creole or perhaps African word, but exact  
  connections have not been proven. The presumed sexual origin is quite  
  in accord with the development of many other related words, most  
  notably:
  'boogie-woogie' was used in the nineteenth century by blacks in the  
  American South to refer to secondary syphilis.
  'gig' the musician's engagement, probably derives immediately from the  
  'gig' that is a dance or party, but 'gig' and 'gigi' (or 'giggy') also  
  are old slang terms for the vulva; the first has been dated to the  
  seventeenth century.
  'jelly roll' is black slang from the nineteenth century for the vulva,  
  with various related meanings, i.e. sexual intercourse, a loving  
  woman, a man obsessed with finding same. "What you want?" she asked  
  softly. "Jelly roll?'" (Thomas Wolfe, Look Homeward Angel 1929). The  
  term probably derives from 'jelly' meaning semen: "Give her cold jelly  
  to take up her belly, And once a day swinge her again" (John Fletcher,  
  The Begger's Bush 1622). Related expressions include 'jelly bag,'  
  referring both to the scrotum and the female genitals; 'jerk [one's]  
  jelly,' to masturbate; and 'jelly,' a good-looking woman. 'Jelly roll'  
  appears in many blues songs, such as "I Ain't Gonna Give Nobody None  
  o' My Jelly Roll," "Nobody in Town Can Bake a Jelly Roll Like Mine,"  
  and "Jelly Roll Blues," the last by Ferdinand Joseph La Menthe "Jelly  
  Roll" Morton (1885-1941).
  'juke' The modern 'jukebox' was preceded by 'juke house' which was a  
  brothel to Southern blacks; the basic term coming from a Gullah word  
  meaning disorderly or wicked.
  'swing' The now archaic 'swinge' was used for many years as a synonym  
  for copulation ('swive' according to the OED's discreet definition).  
  Note the quote from 1622 in 'jelly roll' above. Or as John Dryden put  
  it: "And that baggage, Beatrix, how I would swinge her if I  
  could" (Enemy's Love 1668). The oldest meaning of both 'swinge' and  
  'swing' deal with beating, striking and whipping (i.e., the swing of a  
  weapon predates the back and forth swaying of a swing or the rhythmic  
  swing of music). For reasons that are not hard to guess, the  
  conjunction of violent and sexual senses within the same word is very  
  common.
  In a more modern sense, Swing has been used describing 'wife-swapping'  
  and related activities involving one or more partners of either sex.  
  It has been so used from about 1964 or earlier, depending on the  
  interpretation one gives to Frank Sinatra's 1956 record album Songs  
  for Swinging Lovers.
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