[Dixielandjazz] vocals - Musical ADHD
Don Ingle
dingle at nomadinter.net
Fri May 25 18:55:24 PDT 2007
And she is married to Russ Whitman, perhaps the best bass sax player to
come along the pike since Joe Rushton and one hell of a fine tenor sax
and clarinet player. Carol is what is known in the trde as a "belter"
and that she can.
Good guys to work with, both of them.
Don Ingle
Ron L'Herault wrote:
> The Salty Dogs' vocalist was/is? Carol Leigh. She was super when I saw her
> several years ago and to top it off she wore authentic twenties era clothing
> (and wore them very well, indeed!).
>
> Ron
>
> -----Original Message-----
> From: dixielandjazz-bounces at ml.islandnet.com
> [mailto:dixielandjazz-bounces at ml.islandnet.com] On Behalf Of Larry Walton
> Entertainment - St. Louis
> Sent: Friday, May 25, 2007 2:36 PM
> To: lherault at bu.edu
> Cc: Dixieland Jazz Mailing List
> Subject: Re: [Dixielandjazz] vocals - Musical ADHD
>
> With my big Dixie band I have a Female Vocalist who is pretty good and works
>
> the crowd. There is room for improvement but I think she's worth having in
> the band.
>
> We are starting to do a lot of vocals. When I work as a duo I do a lot
> more, almost every tune has a vocal chorus. With the big band I don't do as
>
> many. I tend to sing the old favorites like Jada, Carolina In The Morning
> etc.
>
> Just having a female vocalist is also not the norm around here. I was
> impressed with a vocalist that was with the Salty Dogs. I think that was
> the group anyway. They were here at a jazz fest about 7 or 8 years ago.
> She could really work the crowd and was a big hit.
>
> So I'm giving it a try with a vocalist and a couple of others sing some too.
>
> I just think it helps you connect with people more and if you do that you
> can do well. I have performed with strictly instrumental groups and some of
>
> them have been very good but there's something lacking.
>
> I understand that musicians like to stand up and play solos and show off but
>
> I'm not so much about that. I prefer doing a lot of tunes an hour and that
> the band be more ensemble oriented rather than a string of solos. There is
> another advantage to this and that is you don't have to have killer
> musicians in every chair to put on a good show.
>
> If you expect a musician who hasn't the chops to play solos every tune then
> you will have a hole in every tune. I think it's better to let people do
> what they can do well and if it's only 8 bars then it's only 8 bars. I
> would much rather have a musician be able to take a good 8 bar solo than
> expect the same person to hack through things he isn't capable of.
>
> I guess I must get bored fast but I just don't like long extended solos. I
> came to that conclusion when I was in the AF and I was playing lead tenor
> with the big band. There was an extended solo that went like 3 or 4
> choruses on Sweet Georgia Brown. At least the second two choruses had
> something to play against. I would just run out of things to say by the
> end of the second chorus but it went on and on and on. I'm sorry but 32
> bars is enough for anyone and even that's too much a lot of times.
>
> I like things changing off - That could come from the clicker mentality
> that we have now - get bored - Click!! Maybe I have Musical ADHD.
> Larry
> St. Louis
> ----- Original Message -----
> From: "Jim Kashishian" <jim at kashprod.com>
> To: "Larry Walton" <larrys.bands at charter.net>
> Cc: "Dixieland Jazz Mailing List" <dixielandjazz at ml.islandnet.com>
> Sent: Friday, May 25, 2007 10:28 AM
> Subject: [Dixielandjazz] vocals
>
>
>
>> I'll just have to add my thoughts to this one...
>>
>> Vocals/singers have always been the "naughty word" amongst
>> instrumentalists.
>> Standing in the background while a singer "fronts" the band is not
>> normally
>> what we like to do.
>>
>> However, in our kind of music, one tends to run into the "singer within
>> the
>> band" more than having to back a singer for a whole set. And, yes, I do
>> believe strongly that this is something audiences like.
>>
>> Perhaps the common person is able to "connect" easier with the vocalist
>> than
>> a musician. (Everyone can sing, well or poorly, but not all have the
>> knowledge of a musical instrument.)
>>
>> I carry the tune in our band, and I know as a fact that without the vocals
>>
>
>
>> a
>> lot of our gigs wouldn't happen. That is not because I have some kind of
>> great voice, but has more to do with the above mentioned fact.
>>
>> Those in our band have all had too many years backing some very well-known
>> singers, and prefer to leave all that behind us. The odd chorus sung by
>> yours truly is acceptable & works commercially.
>>
>> Funny story: once, during a sorta wild version of Darktown Strutter's
>> Ball
>> I dropped the microphone. Instead of picking it up, I threw myself on the
>> floor after the thing....misjudged the distance, & smashed my lip on the
>> mic. When I stood up (still singing energetically), there was blood all
>> over the mic, my shirt, etc. The audience went wild! I think it brought
>> out
>> the bullfighting spirit in them & they probably wanted to see if an ear
>> would be cut off next!! :>
>>
>> Jim
>>
>>
>>
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>
>
>
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