[Dixielandjazz] Microphones
David Richoux
tubaman at tubatoast.com
Mon Jun 11 08:33:53 PDT 2007
The excellent Jump Blues "Stompy Jones" (AKA "Swing Session") took
their own microphones to Sacramento this year - I could really hear
the difference between their sound and the other bands using the same
stage. Between gigs they keep them in special padded wooden boxes,
not just tossed into a tote bag ;-)
http://www.stompyjones.com/news.html has a picture of one of their
mics -maybe a Shure 55?
While searching around, I found this amazing collection of harmonica
microphones!
http://www.harmonicamasterclass.com/vintage_collection.htm
and this: http://www.bluesmics.com/
Dave Richoux
On Jun 11, 2007, at 7:27 AM, Steve Barbone wrote:
>
> Microphones changed the way people heard recorded music and radio
> broadcasts. The ribbon or "velocity" microphone was introduced by
> RCA in
> 1931, as the model 44A, and became one of the most widely used
> microphones
> in vocal recording. Many bands today hoping to achieve a more
> authentic
> "vintage" sound still use the 44A. Another advance in recording
> sound came
> in 1933 when RCA introduced the 77A, cardioid pattern, dual ribbon
> microphone. These advances in sound enabled subtle nuances in both
> playing
> and singing to be amplified for the first time and made for better
> live
> broadcasts. Up until these advances vocalists were required to get
> up and
> belt out a song with many of the subtleties in inflection and voice
> tone
> being lost.
>
> Cheers,
> Steve Barbone
>
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