[Dixielandjazz] FW: Trombones/reeds
Gluetje1 at aol.com
Gluetje1 at aol.com
Thu Oct 26 16:05:31 PDT 2006
I always assumed that parents, school music ed, availability of rental
instruments impacted this. More students begin on tonettes or recorders, if
affinity, move on to flutes or reeds, or maybe if a boy, a trumpet. At least
that's how it went once upon a time when I got to 7th grade etc. Music ed bands
seem to also encourage band students to take up instruments relational to
orchestral instrumentation; i.e., clarinets = violins, 1st, 2nd, 3rd, (a dozen
of them at least), trombones = cello, so four is fine, etc. Thus just based
on probability there are apt to be more musically apt adults who play reeds
than trombones. And to find adults with tubas, well, good luck. It made a
difference in my entire life because a band director said, "You read bass clef
(I had taken many a piano lesson), take this school bassoon home this summer
and learn to play it." He handed me a Baldwin Book I to take home also. When
as a 50 year old adult, I decided I wanted to pick up the bassoon again and
study this time with a professional bassoonist, I discovered there is of
course a dearth of bassoonists available for amateur community groups--all the
better for me as I am more likely to get an opportunity to "play up" than if I
played flute or clarinet.
One final plug before signing off. I think the best way for music theory,
especially chord structures to make sense, is for the individual to learn,
really learn in depth, the fingerboard of a fretted instrument.
Ginny
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