[Dixielandjazz] Re: Transcribing OKOM
Mike C.
mike at railroadstjazzwest.com
Mon Feb 27 18:11:29 PST 2006
I am using cd
Mike
> -------Original Message-------
> From: Robert S. Ringwald <robert at ringwald.com>
> Subject: Re: [Dixielandjazz] Re: Transcribing OKOM
> Sent: 27 Feb '06 19:04
>
> Mike,
>
> Are you listening to it on LP, cassette or CD? If cassette, or LP, your
> machine or turntable may be running fast.
>
> --Bob Ringwald
>
>
> ----- Original Message -----
> From: "Mike" <mike at railroadstjazzwest.com>
> To: <dixielandjazz at ml.islandnet.com>
> Sent: Monday, February 27, 2006 10:34 AM
> Subject: [Dixielandjazz] Re: Transcribing OKOM
>
>
> > The recording is from the album 'Chicago Jazz' which is a collection of
> > Muggsy's 1939 recordings. He plays a short but excellent 16 bar solo in
> > which his rhythmic variety is simple but creative. I suspected that it
> > wasn't due to him, but I was suprised at how out of tune it was. Is this a
> > common occurannce for early jazz recordings?
> >
> > Mike
> >
> >
> >
> > Bill Haesler wrote:
> >>> I notice when I am transcribing solos from OKOM, the pitch tends to vary
> >>> a
> >> lot. I was working on a George Brunies solo recorded in 1939, and he was
> >> about a
> >> quarter pitch sharp. Was this due to the recording techniques of the
> >> day?<
> >>
> >> Dear Mike,
> >> Not necessarily.
> >> If you are taking it from an LP or CD then, most likely, the pitch could
> >> be
> >> out. Depending on the LP/CD.
> >> The 78s from the 1920s certainly varied between 75 rpm to 82 rpm and
> >> definitely need some pitch correction.
> >> Not so with the original 78s from around 1939.
> >> What Brunies' tune are you working on and what is your recorded source?
> >> Kind regards,
> >> Bill.
> >
> >
> >
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> >
> >
>
>
>
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