[Dixielandjazz] Super Bowl Halftime
tcashwigg at aol.com
tcashwigg at aol.com
Wed Feb 8 12:23:00 PST 2006
Yes indeed, but you can grow a lot more things and expand putting
horse S&%T on it.
a lot of today's tired Dixieland music could use a good dose of Horse
S*#T on it before folks start throwing Dirt on it. :))
It's Ok to put Horse S*@T on it if you do it ARTISTICALLY.
Cheers,
Tom "Where did I put that Shovel" Wiggins "must be a Pony in here
somewhere" :))
-----Original Message-----
From: Robert S. Ringwald <robert at ringwald.com>
To: DJML <dixielandjazz at ml.islandnet.com>
Sent: Wed, 8 Feb 2006 00:36:15 -0800
Subject: Re: [Dixielandjazz] Super Bowl Halftime
You can put sugar on horse shi* &it is still horse shi*.
----- Original Message ----- From: <tcashwigg at aol.com>
To: <dixielandjazz at ml.islandnet.com>
Sent: Tuesday, February 07, 2006 10:30 AM
Subject: Re: [Dixielandjazz] Super Bowl Halftime
> OKOM will remain unappreciated by the unwashed masses until such
time > as Some of us go out there and play it with the same fire in the
belly > and attitude as old man Jagger and his Kindey Stones, beat up
old fart > rockers did. That folks is show business and the real world
of music > business for working musicians. The kid is still doing it at
62 year > old in spite of the fact that most on this list predicted
that Rock & > Roll would never last! just a passing Fad! nope sorry
guys it was > improvisation taken to new heights and a much broader
hungry > marketplace of Hello Helloo !! Dancers that All the really
Cool > Jazzers ran away as they decided to become artiste' rather than
> musicians hired to entertain and make folks happy and dance away
their > BLUES.
> > Damn, Crow never did taste good, no matter what kind of sauce you
put > on it.
> > Rock and Roll was the new "What's thish here sauce" and it's still
> selling better than A 1 sauce. :))
> > Cheers,
> > Musical content: "Papa is a Rolling Stone"
> > > Now be honest: if you had the choice to go on tour as the
opening act > with Louis Armstrong today and play in 1-3000 seat
performing arts > centers to a half a house or go on tour and open for
the ROLLING > STONES AND PLAY TO 100,000 a day what would you choose?
yeah right! > play with Louis and be Cool, well I'll bet you Louis
would say to hell > with your art, I'm goin' out and open for the
Stones and take this > kinda music to all them kids that never heard
it. Why do I say that? > Sacreligious you say, nope not at all because
that's how Louis did it > the first time folks, he left New Orleans and
took it to the world.
> > The world will always welcome Lovers "As Time Goes Bye", and those
that > really LOVE music will go seeking that welcome. :))
> > ALL TOGETHER NOW, This little light of mine I'm gonna let it shine
> :))) Louder ! Louder ! I can't hear you !
> > Now get out there and play it loud and Proud. No wimps allowed in
the > stadium. :))
> > Loud is OK, especially when you get this old and can't hear
anyway.
> > Can you hear me now? ..................... can you hear me >
now?........................ how about now?......
> > > Nope nobody's home, hasn't been for forty five years or so. They
did > leave the lights on however :))
> > Cheers,
> > Tom (who is the same age as old Mick, and I ain't gettin' much >
Satisfaction these days either") and I 'm a lot better lookin' too :))
> > > > -----Original Message-----
> From: Steve barbone <barbonestreet at earthlink.net>
> To: dixielandjazz at ml.islandnet.com
> Sent: Tue, 07 Feb 2006 11:01:07 -0500
> Subject: [Dixielandjazz] Super Bowl Halftime
> > "Robert S. Ringwald" <robert at ringwald.com> wrote about the half
time > show.
> >> I am sure glad I did not watch it. YUK
> > If not, then how can you dislike it?
> > Which brings up a broader perspective. Like Mick Jagger has been >
connecting
> with large audiences for 55 years now, without pause. Something very
few
> musicians, jazz or otherwise, have ever been able to do.
> > That kind of performer is someone we can all learn from. The Super
Bowl
> audience was enthused about the Stones visual antics, the
improvisation
> between guitars, and Jagger's athletic "in your face" presentation.
> > Their rendition of "I Can't Get No Satisfaction" brought the house
> down, and
> quite possibly most of the billion TV viewers. It Included some
fresh > guitar
> counterpoint improvisation, that made the song "new" all over again.
> Despite
> the fact that they have been playing it over and over for 50 years.
Like
> "The Saints" to us Dixieland Bands, except that most of us coast on
that
> tune because we "hate" it.
> > The difference between working professionals and the rest of the
pack?
> > Many lessons to be learned in watching and analyzing that program.
But > if
> past history is any guide, many of us will ignore those lessons and
the
> opportunities that result from learning them. And in our ignorance,
we > will
> continue to bitch about how OKOM is unappreciated by the unwashed >
masses.
> > Cheers,
> Steve Barbone
> > > _______________________________________________
> Dixielandjazz mailing list
> Dixielandjazz at ml.islandnet.com
> http://ml.islandnet.com/mailman/listinfo/dixielandjazz
> > > > _______________________________________________
> Dixielandjazz mailing list
> Dixielandjazz at ml.islandnet.com
> http://ml.islandnet.com/mailman/listinfo/dixielandjazz
> >
_______________________________________________
Dixielandjazz mailing list
Dixielandjazz at ml.islandnet.com
http://ml.islandnet.com/mailman/listinfo/dixielandjazz
More information about the Dixielandjazz
mailing list