[Dixielandjazz] Re. CD sales
tcashwigg at aol.com
tcashwigg at aol.com
Sat Feb 4 16:50:52 PST 2006
Well I got this to say about that"
Brilliant marketing by a Monkey or perhaps an entire barrel of them :))
I can assure you that if I sold 360,000 copies of a CD in one week I
could care less if anybody ever heard of me again !!
Much less what a major record label thinks, If it had been ontheir
label they would not have even paid the royalties on it, as it would
have found a way to eat them up in expense re-coupments for shrink
wrapping, packaging, printing, manufacturing, producer bonuses and
executive bonuses, radio promotion men bonuses etc.. And they would
also have kept at leat 50% of the publishing royalties as well.
Stupid Supid Stupid Monkeys. Out smarted the SHARKS. ha ha ha
ROTFLOL Love it.
Take the MONEY AND RUN, and talk about me as a one hit wonder and a
has been for the rest of the decade, I'll be sitting in Sunny Spain
where it Rains mainly upon the Plains, sipping sangria with Jim Kash,
:))
Thanks Nancy great story, :))
Tom " Now WHY DIDN'T I THINK OF THAT" Wiggins
Glad I didn't, just think how many trips to the post office I would
have had to make to mail those Cds out,, and the stamps to lick
yuck!!! To hard to make that kind of money
-----Original Message-----
From: Robert S. Ringwald <robert at ringwald.com>
To: DJML <dixielandjazz at ml.islandnet.com>
Sent: Sat, 4 Feb 2006 15:32:50 -0800
Subject: Re: [Dixielandjazz] Re. CD sales
Wow! I can't wait to hear what the recording gurus on DJML will have
to say about this.
Bring it on!!!
----- Original Message ----- From: "Nancy Giffin"
<NANCYink at surewest.net>
To: "Dixieland Jazz" <dixielandjazz at ml.islandnet.com>
Sent: Saturday, February 04, 2006 3:03 PM
Subject: [Dixielandjazz] Re. CD sales
Forgive me if this has already been mentioned;
I haven¹t had time to keep up with DJML.
How is this for a marketing strategy:
-- At concerts, give away CD-Rs of every song you've recorded
-- Encourage everyone to pass it around the Internet
-- Make it available at no cost over file-sharing networks.
-- Sell 360,000 of your first album in the first week of commercial
sales.
Say what?! That would be a record-breaking first week of sales.
And so it was!!!
Read all about it in this tongue-in-cheeky article from ZDNet UK:
http://comment.zdnet.co.uk/other/0,39020682,39249667,00.htm
DON'T MONKEY AROUND WITH NEW IDEAS
ZDNet UK
January 30, 2006, 15:30 GMT
For proof of how innovation can go badly wrong, just look to Sheffield
It is always sad to report abuses of technology, especially when they
threaten an industry. But this week has seen the true evil of file
sharing
laid bare < and the implications for all of us have been made clear.
The Arctic Monkeys, a Yorkshire beat combo, have been the biggest
victims of
this sordid business, and it's all been through their own stupidity.
They
actually gave away CD-Rs of their music < all of it < at their own
concerts.
Then they compounded the madness by encouraging their young, digitally
literate fan base to actually make it all available at no cost over
file
sharing networks.
As any big record label will tell you, this is commercial suicide. By
the
time the first album was commercially released last week, every note
had
been globally available, for free, for months.
Fortunately, the BPI is active in preventing such lunacy. It's taken
two
file sharers to court, last week landing them with a £20,000 bill, a
move
calculated to show the tens of millions of others just how likely they
are
to get caught.
Such measures are very necessary. By industry logic, every file shared
is a
sale lost. Those sad Monkeys must be kicking themselves < just think
how
much bigger their record-breaking first week sales figures of 360,000
albums
would have been if they had prosecuted their would-be customers too.
Every
man, woman and child in the country would by now have bought five
copies:
instead, penury and obscurity await. You will never hear of them
again.
We are lucky that wiser heads are in charge of the industry, and that
these
same heads are planning how to introduce powerful, widespread and
legally
mandated restrictions on how all digital equipment can operate. Bitter
disappointment awaits those who think that revolutionary new
technologies
can lead to revolutionary new ways of doing business; at all costs,
the
current channels of control and distribution must be maintained.
Britain's phonographic industry must be preserved < as must every
other
existing and entrenched technology industry. More control, more
patents,
more lawyers and fewer freedoms are badly needed to encourage
innovation and
ensure the terrible tragedy of the Monkeys is not repeated in any
other
sphere where creativity matters.
+++++
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