[Dixielandjazz] OKOM BIAB/Guide Tones
Jeffmatthews111 at aol.com
Jeffmatthews111 at aol.com
Fri Jan 28 12:44:54 PST 2005
Hi All,
I know this has been posted elsewhere in the past but I can't contact one of
the sources for the BIAB files and I don't know if his email address has
changed. Some sources have now become defunct too. Any sources that you can
share would be gratefully received.
I was interested in the discussion about guide tones and there seems to be
several opinions and ways of interpreting how guide tones are used apart from
the standard theory. I would welcome some practical demonstrations of how this
is applied by members willing to participate with some practical 'dots' on a
page. I think it would help some of us still learning and wrestling with the
practicalities of playing up to the high standards we want to achieve.
I for one would appreciate a discussion of scales/arpeggio patterns people
like to use, i.e pentatonics and particular types of scales popular in OKOM. I
found it interesting that in the book 'Lost Chords', the author makes the
point that some of Artie Shaws work clearly shows links to Russian/Jewish scale
systems and emotional input.
I would also like to hear from any single note instrument players who have
found particular licks useful for getting round okom tunes. If you think this
is a strange question, then I can explain it by saying that by listening to
certain clarinet players I can detect a great deal of reliance on
pentatonics of one form or other scale devices. Any comments. Guys with your experience
you must have some great tips and 'how to's' and 'avoids' which we beginners
can learn from, if you would be so kind as to share them with us. By the
way, heres what I mean: I picked up a simple but very effective and 'pro'
sounding lick from a great British clarinet player and I use it sparingly like
pepper and salt, but it sometimes gets me out of a corner and it sounds like I
know what I am doing. You must know a hundred of them........
Thank you for your kind comments.
Jeff
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