[Dixielandjazz] Here's To The Musicians
Robert S. Ringwald
robert at ringwald.com
Tue Aug 30 22:09:57 PDT 2005
Here's to the Musicians!
Imagine this.
You go to the office one morning after having worked on a project until well
past
midnight the night before. You'll be laboring in
a relatively high-pressure situation where each and every task you perform
will be
monitored by a highly-paid technician who has connected you to a complex
maze of
very expensive electronic equipment. Moreover, your work product for the
morning
will be recorded and analyzed down to its most minute detail by the people
who hired
you. They may spend days at it.
If that's not enough to make you nervous about the entire experience, those
people
will eventually take your work product from that morning and make it
available for
public scrutiny as well.
And get this --- some people will actually get paid to write about the work
you completed
that one morning, so that other people
can better decide whether they want to expose themselves to it.
But there's more.
When you arrived for work that fateful morning, tired from having worked so
late
the night before, the boss gives you only a general idea of what she wants
you to
do, then tells you to just make up the specifics as you go along, depending
on how
the other workers do their jobs!
Could you do your work under such conditions? Could you do it so well that
other
people would want to buy a recording of your efforts and listen to it over
and over
again? That's what the best of the jazz musicians do.
Perform by night; record by day. And we're not talkin' a five-day week here,
either.
I've never heard a jazz musician tell a promoter or agent,
"Sorry, I take Tuesdays off."
Then there's the struggle it takes a good, working jazz musician to achieve
the required
level of proficiency. Years and years of practice. A
load of talent. And significantly, a willingness to forego the security most
people
take for granted in our society.
Nightclub gigs and record deals don't come with paid vacations, pension
plans and
medical insurance.
Yet despite all of these circumstances, great jazz is still being played and
recorded.
An objective economist or workplace scholar would conclude that it just
doesn't make
sense.
What manner of person would take such risks and endure such pressure for
such small
rewards?
The answer is deceptively simple.
Jazz musicians are true artists. They do what they do for love of the music
and the
creative process. Watch them work and you can see it.
Listen to a good jazz record and you can hear it.
So next time you put on some jazz, whether it's one of those evenings where
you hang
on every note or one of those afternoons when the music is just contextual,
give a mental nod to the folks who made it all possible ---
the musicians.
They really deserve it.
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