[Dixielandjazz] Chords "Murder he says"
Kaye Wade
kaye at kayewade.com
Thu Aug 25 15:14:21 PDT 2005
Betty Hutton did it, but I can't find my sheet music on it. Sorry!
k
On Aug 25, 2005, at 12:00 PM, dixielandjazz-request at ml.islandnet.com
wrote:
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>
> Today's Topics:
>
> 1. Re: Sad announcement (luis daniel flores)
> 2. Lots of driving- wrong definition (Kaye Wade)
> 3. Marching bands.... (Jim Kashishian)
> 4. RE: Lots of driving- wrong definition (Hal Vickery)
> 5. Quitting and a Solution (Thompson)
> 6. Re: Schools Dumbing Down The Music? (Steve barbone)
> 7. Why kids don't download Dixieland or OKOM was Schools
> (Steve barbone)
> 8. Re: Jazz-related article in Smithsonian Magazine (Bill Haesler)
> 9. Re: Way down yonder patter? (Bill Haesler)
> 10. LA Area Jazz Meet 8/28/05 (Gene & Betty Lynch)
> 11. [Fwd: Re: [Dixielandjazz] Jamie Cullum or Rob McCallum?]
> (Len Nielsen)
> 12. Chords (Bill Salmond)
> 13. Kids & Dixieland (Jim Kashishian)
> 14. Way down yonder in N.O. (Anton Crouch)
> 15. test (Jim Kashishian)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Wed, 24 Aug 2005 17:32:43 -0300
> From: "luis daniel flores" <luda at arnet.com.ar>
> Subject: Re: [Dixielandjazz] Sad announcement
> To: "Brian Harvey" <brer.rabbit at tiscali.co.uk>, "DJML"
> <dixielandjazz at ml.islandnet.com>
> Message-ID: <005201c5a8ea$fca65520$44dd75c8 at KAX>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Brian,
> looking forward for your program. Yours have been a wonderful OKOM
> program in
> the past.
> cheers
> Luis
> Dr. Luis Daniel Flores FRCOG
> www.jazzysentimientos.com.ar
> domingos/Sundays 9:30/12:30 GMT
>
>
>
>
> ------------------------------
>
> Message: 2
> Date: Wed, 24 Aug 2005 13:37:57 -0700
> From: Kaye Wade <kaye at kayewade.com>
> Subject: [Dixielandjazz] Lots of driving- wrong definition
> To: djml <dixielandjazz at ml.islandnet.com>
> Message-ID: <F494678C-14DE-11DA-8D09-00112431B150 at kayewade.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
> "Bennies From Heaven" was about a baby that a sailor came home to find
> his wife had had while he had been overseas for 2 yrs.
>
> Do we still have to talk about drugs?!...
>
>
> Kaye Wade
> Stuntwoman-Actress, Reflexologist
> Vocalist & Bandleader -Kaye Wade's Riverboat Ramblers
> & The Tinsel Town Ten Minus 3
> PO Box 1068 Studio City CA. 91614-1068
> http://www.KayeWade.com
>
>
>
>
> ------------------------------
>
> Message: 3
> Date: Wed, 24 Aug 2005 23:56:42 +0200
> From: "Jim Kashishian" <jim at kashprod.com>
> Subject: [Dixielandjazz] Marching bands....
> To: <dixielandjazz at ml.islandnet.com>
> Message-ID:
> <mailman.0.1124996407.81679.dixielandjazz at ml.islandnet.com>
> Content-Type: text/plain; charset="us-ascii"
>
> Russ wrote:
> Marching bands are excellent training groups as they require the kids
> to be
> highly involved in team work, discipline, time schedule control,
> uniform
> care, etc. and etc. The best marching bands attend festivals and
> competitions and are rewarded with honors that are taken very
> seriously.
> The kids work very hard in a well run marching band program. A
> marching
> band program takes a tremendous amount of work and is, frankly,
> exhausting.
>
>
> And, I comment:
> I attribute all of my current position to my marching band days. I
> will go
> as far as to say that joining the Long Beach (Calif.) Junior Concert
> Band
> when I was 9 yrs old (a member until I was 17) was one of the best
> things
> that ever happened to me.
>
> This band, run by Marvin Marker, is still thriving today, helping
> young kids
> (as it did for me) in the Long Beach area. Recently, the City of Long
> Beach
> has removed itself from the tiny bit of financial help it ever gave to
> the
> band. What a pity!
>
> The LBJCB was "my gang". If it hadn't been for the band, I would have
> been
> perfect material for any gang out there. It became my family, as I was
> basically on my own with a working mother as my only family. My sister
> joined another "gang", which was her church...which worked out very
> well for
> her, also. Home meant sitting alone in front of the tv. The band was
> much
> more fun.
>
> Russ speaks of the hard work...we did 360 gigs one year (performing 2
> or 3
> jobs in a given day), and all the spit & polish required set me up
> perfect
> for my eight years as an Air Force Bandsman later. Talk about
> discipline!
>
> I learned to play hard, loud, continuous (5 hrs of marching in the
> Paadena
> Rose Parade will do that for you). I have great memories of all the
> Sousa
> marches, and can still honk my way through many from memory. (The
> original
> director of the band was a trumpeter who actually played with
> Sousa...Jimmy
> Son.)
>
> My family will attest to the fact that I demand everyone to be "on
> time",
> even if it means leaving to go out to dinner. That all comes from the
> band
> training. And, it flows over into how the Canal Street Jazz Band is
> run,
> and how I run my business. (Stands out somewhat in a country where
> being on
> time has no particular meaning!) Many of our long (read 7 to 10
> night) gigs
> are due to club owners/managers knowing that they can hire us & leave
> us on
> our own. They don't even have to appear, knowing that we will do the
> gig
> every night, on time, properly, and not drink the bar dry!
>
> We had the choice in school of joining the band or the orchestra...not
> both.
> It was an easy choice as the band had pom-pom girls! Great memories.
> Great
> times, and a great opportunity.
>
> What a life music has given me.
>
> Jim
>
>
>
>
>
> ------------------------------
>
> Message: 4
> Date: Wed, 24 Aug 2005 18:49:48 -0500
> From: "Hal Vickery" <hvickery at svs.com>
> Subject: RE: [Dixielandjazz] Lots of driving- wrong definition
> To: <dixielandjazz at ml.islandnet.com>
> Message-ID:
> <mailman.1.1124996407.81679.dixielandjazz at ml.islandnet.com>
> Content-Type: text/plain; charset="US-ASCII"
>
> With the rank of second lieutenant, he would be in the army. The naval
> equivalent is ensign.
>
> Hal Vickery
>
> -----Original Message-----
> From: dixielandjazz-bounces at ml.islandnet.com
> [mailto:dixielandjazz-bounces at ml.islandnet.com] On Behalf Of Kaye Wade
> Sent: Wednesday, August 24, 2005 3:38 PM
> To: djml
> Subject: [Dixielandjazz] Lots of driving- wrong definition
>
> "Bennies From Heaven" was about a baby that a sailor came home to find
> his wife had had while he had been overseas for 2 yrs.
>
> Do we still have to talk about drugs?!...
>
>
> Kaye Wade
> Stuntwoman-Actress, Reflexologist
> Vocalist & Bandleader -Kaye Wade's Riverboat Ramblers
> & The Tinsel Town Ten Minus 3
> PO Box 1068 Studio City CA. 91614-1068
> http://www.KayeWade.com
>
>
> _______________________________________________
> Dixielandjazz mailing list
> Dixielandjazz at ml.islandnet.com
> http://ml.islandnet.com/mailman/listinfo/dixielandjazz
>
>
>
>
> ------------------------------
>
> Message: 5
> Date: Wed, 24 Aug 2005 19:26:24 -0500
> From: "Thompson" <rebecca.e.thompson at verizon.net>
> Subject: [Dixielandjazz] Quitting and a Solution
> To: "'Bill Haesler'" <bhaesler at bigpond.net.au>, "'Kaye Wade'"
> <kaye at kayewade.com>, "'dixieland jazz mail list'"
> <dixielandjazz at ml.islandnet.com>
> Message-ID: <0ILR009WZ5825BU1 at vms042.mailsrvcs.net>
> Content-Type: text/plain; charset=us-ascii
>
>
> I have been behind reading DJML, and I have only gotten this far before
> making this suggestion.
>
> There are ways in your e-mail setup to delete certain messages as soon
> as
> they come in. I have set it so that certain individual's e-mail's are
> automatically deleted, so I never see them unless someone else quotes
> them.
>
> Who know, there may be most of you out there who have already
> discovered
> this feature and added MY name to the delete list!!! ;-)
>
> Rebecca Thompson
> Flower Mound, TX
>
> -----Original Message-----
> From: Bill Haesler [mailto:bhaesler at bigpond.net.au]
> Sent: Thursday, August 18, 2005 3:02 AM
> To: Kaye Wade; dixieland jazz mail list; Stephen Barbone
> Subject: [Dixielandjazz] Re: Quitting
>
> Now, now Kiddies!
> This list is renowned for its tolerance.
> Tiffs, if any, should be kept off-list.
>
> Dear Kaye,
> You have things to contribute.
> Let's hear them.
> Quitting is only 'your' way out.
> We may be the losers in the long run.
> Bob, our wonderful moderator, spelt it all out yesterday.
> And, by now, we all know about the 'delete' button.
> (Except me. I'm afraid, if I use it, I might miss something
> interesting.
> Like this thread.)
> Kind regards,
> Bill from Oz.
>
>
>
>
>
>
>
>
> ------------------------------
>
> Message: 6
> Date: Wed, 24 Aug 2005 22:42:10 -0400
> From: Steve barbone <barbonestreet at earthlink.net>
> Subject: Re: [Dixielandjazz] Schools Dumbing Down The Music?
> To: Bob Romans <cellblk7 at comcast.net>, DJML
> <dixielandjazz at ml.islandnet.com>
> Message-ID: <BF32A842.3609%barbonestreet at earthlink.net>
> Content-Type: text/plain; charset="US-ASCII"
>
> on 8/24/05 11:14 AM, Bob Romans at cellblk7 at comcast.net wrote:
>
>> Hi Listmates!
>> Can any of you remember when the Beatles and Elvis hit the scene/top
>> charts? Remember the reaction all of the sexy little teeny boppers
>> had! Then
>> all of the boys who were going through puberty, and all THAT entails,
>> saw
>> what it took to get the girls...LOUD DRUMS and AMPLIFIED
>> GUITARS...how many
>> Dixieland/OKOM bands have those two ingredients?
>
> Barbone Street does. :-) VBG
>
>> We have to remember that the kids today have developed their taste
>> for music
>> from THEIR dumbed-down parents/grandparents! We should just be happy
>> playing
>> for whomever will listen to us until we can discover that magic
>> here-to-for
>> unknown trick to get an audience who can appreciate what it takes to
>> learn
>> how to play OKOM! It will NEVER be as popular again as it once was.
>> Get used
>> to it.
>
> It may never be as popular as it once was, but it sure as hell can be
> more
> popular than it is. All it takes is a little modification on the
> band's part
> and a mindset not to be satisfied with being happy to play for anyone
> who
> will listen.
>
> Just go out and create your audience. Simple as that. Caveat, you
> can't do
> it playing old style, blue hair, white folks "Dixieland". It MUST
> SWING, BE
> DANCEABLE and APPEAL TO THE GUT. Simple as that.
>
> Not too different from what Condon, and Louis did from 1947 till they
> died.
> Yeah, they had loud drums and sometimes a guitar, even if not
> amplified. But
> then Bechet went into Nick's in the 1940's with a group that had two
> amplified guitars and he swung his ass off.
>
> Why am I so positive about it? Because at least 4 days a week I am
> playing
> for an audience that includes kids who absolutely love the music even
> though
> they have no idea of what exactly, it is. And they dance and jiggle to
> it.
>
> All the result of 10 years of finding "our" audience and making the
> music
> relevant to it. Hell, I even published a 10 page FREE treatise on how
> to do
> it which is largely ignored.
>
> Nah, the music didn't dumb down, the bands did. When we stopped
> playing for
> dancers about 1941, the decline of its relevance was clearly visible.
>
> Cheers,
> Steve
>
>
>
>
>
>
> ------------------------------
>
> Message: 7
> Date: Wed, 24 Aug 2005 23:46:21 -0400
> From: Steve barbone <barbonestreet at earthlink.net>
> Subject: [Dixielandjazz] Why kids don't download Dixieland or OKOM was
> Schools
> To: DJML <dixielandjazz at ml.islandnet.com>
> Message-ID: <BF32B74D.360C%barbonestreet at earthlink.net>
> Content-Type: text/plain; charset="US-ASCII"
>
> Bob Romans wrote that kids do not download OKOM, but rather all their
> favorite music/rap/rock or whatever.
>
> Bob is right. How would they know where to go to download OKOM? Or
> even know
> where to go to hear it?
>
> If we truly want to get kids to enjoy OKOM, in any form, then more OKOM
> bands than mine or Kash's must do what we are doing.
>
> What many of us on this list fail to grasp is that there is a
> resurgence of
> MARKET DEMAND for "tuneful" music out there in the world. Forget all
> that
> rap BS. It's already passe, like the Blue Hair Dixieland was by 1975.
> Hey
> fellow OKOM band leaders, how about "leading", or becoming a change
> agent?
> That's why you get the big bucks. Step one? Think outside the OKOM
> Festival
> Box. Don't be trapped by the inbred view that the audience for OKOM is
> limited to Festival goers. That's nonsense.
>
> PLAY WHERE THE KIDS ARE.
>
> I played 2 gigs today where kids were. (Wednesday Aug 24).
>
> First: a two set gig in a public square in Philadelphia between 2,
> twenty
> story office buildings. Audience was jazz oblivious young office
> workers on
> their lunch hour. MANY SEXY LADIES. Plus 8 of our swing dancing band
> followers appeared from buildings close by. Got two e mails tonight
> from new
> fans there who went to our website to see schedule and asked about
> upcoming
> gigs. It was pretty obvious that the YOUNG audience was digging OKOM.
> (And
> that the band members were digging the office workers and swing
> dancers)
>
> Second: the usual 4 set gig at the Showboat Casino in Atlantic City.
> Lots of
> young people dancing up and down the aisles with the band Etc., etc.,
> etc.
>
> I play 100 gigs a year like those above live before more than 100,000
> different people every year in Philadelphia Metro area. But, in the
> grand
> musical scale of things, that is like pissing against the wind. IT
> SURE AS
> HELL IS GOING TO TAKE A LOT MORE OKOM BANDS THAN MINE TO MAKE A REAL
> DENT IN
> THE MUSIC MARKET OF THE USA.
>
> That should tell you what my agenda is. :-) VBG.
>
> Cheers,
> Steve Barbone
>
>
>
>
> ------------------------------
>
> Message: 8
> Date: Thu, 25 Aug 2005 13:44:29 +1000
> From: Bill Haesler <bhaesler at bigpond.net.au>
> Subject: [Dixielandjazz] Re: Jazz-related article in Smithsonian
> Magazine
> To: Lily Korte <tramette89 at sbcglobal.net>, dixieland jazz mail list
> <dixielandjazz at ml.islandnet.com>
> Message-ID: <BF337BBD.A279%bhaesler at bigpond.net.au>
> Content-Type: text/plain; charset="US-ASCII"
>
> Dear Lily,
> Thank you for that lead.
> I googled >Smithsonian Magazine<, checked the current issue link
> (September) and found a synopsis and several photographs.
> I then clicked a lead to the article and downloaded it for later
> reading.
> Wonderful.
> Kind regards,
> Bill.
>
>
>
>
>
> ------------------------------
>
> Message: 9
> Date: Thu, 25 Aug 2005 13:50:58 +1000
> From: Bill Haesler <bhaesler at bigpond.net.au>
> Subject: [Dixielandjazz] Re: Way down yonder patter?
> To: "David W. Littlefield" <dwlit at cpcug.org>, dixieland jazz mail list
> <dixielandjazz at ml.islandnet.com>
> Message-ID: <BF337D42.A279%bhaesler at bigpond.net.au>
> Content-Type: text/plain; charset="US-ASCII"
>
> Dear David,
> I have just checked the following versions of "WDYINO", all from
> 1922-23, to
> see if they include the 'tango' part.
> Herewith the results:
> The Georgians 21 Dec 1922 no
> Gene Fosdick Jan 1923 no
> Cotton Pickers 9 Feb 1923 yes
> Paul Whiteman 21 Feb 1923 yes
> Orchestre Syncopatin' Six July 1923 yes A 'tangoish' shuffle
> rhythm
> throughout and the 16 bar tango part as a sax solo. There is also a
> vocal.
> All have the verse introduction and are somewhat similar.
> It therefore seems that the tango part was probably part of the
> original
> stock arrangement.
> Now to locate the original sheet music.
> I do not have the versions by:
> Dixie Daises Oct 1922
> Bailey's Lucky Seven 8 Dec 1922
> George Kelly Original Six Feb 1923
> Sammy Swift's Jazz Band Feb 1923
> Kind regards,
> Bill.
> PS: The Cotton Pickers Sept 1922 version of "I wish I could shimmy
> like my
> sister Kate" has been a long-time favourite of mine.
> But why is the Doddsian clarinet solo by Jimmy Lytell part so familiar?
> Something used later by the King Oliver Creole Jazz Band?
> I have been trying to identify it ever since I bought the LP all those
> years
> ago.
> One day the penny will drop.
> Bill.
>
>
>
>
>
>
> ------------------------------
>
> Message: 10
> Date: Wed, 24 Aug 2005 23:30:23 -0500 (CDT)
> From: Gene & Betty Lynch <bettylynch at verizon.net>
> Subject: [Dixielandjazz] LA Area Jazz Meet 8/28/05
> To: Dixielandjazz at ml.islandnet.com
> Cc: BettyLynch at Verizon.net
> Message-ID: <3631757.1124944223741.JavaMail.root at vms074.mailsrvcs.net>
> Content-Type: text/plain; charset=us-ascii
>
> This Sunday 8/28/05) the Valley Jazz Club meets 1:00 to 5:00 PM at
> the Elk's Lodge, 20917 Osborne, Canoga Park CA.
>
> The feature this month is Evie Fiorani and All That Jazz, a fine
> group, led by a wonderful singer.
>
> Hot food and a full bar are available. Admission $9, members $6,
> performing musicians free.
>
> Gene & Betty Lynch
> Redondo Beach, CA
>
> Berman, Bernie & Lu, Jacky Stone
>
>
>
> ------------------------------
>
> Message: 11
> Date: Wed, 24 Aug 2005 23:20:41 -0700
> From: Len Nielsen <lennielsen at telus.net>
> Subject: [Fwd: Re: [Dixielandjazz] Jamie Cullum or Rob McCallum?]
> To: DJML <dixielandjazz at ml.islandnet.com>
> Message-ID: <430D6339.2020109 at telus.net>
> Content-Type: text/plain; charset=us-ascii; format=flowed
>
>
>
> Dear Steve
>
> I'm sitting here shaking my head. Your first 2 paragraphs boggle my
> mind. You are the only one who is concerned about and discusses the
> quality of your music and your line about not caring how OKOM people
> view your music indicates that you did not even comprehend my
> statement.
>
> In reference to "kids like Cullum" you say "Yet you and others
> disparage
> them". We were discussing what effect his performance may have on
> Dixieland Jazz not the quality of his performance. Presumably you did
> not comprehend this either or maybe accuracy is not a priority in your
> posts.
>
> In my original post I made it quite clear that I was pleased with many
> things that had to do with OKOM festivals and their music and your
> reply
> was "Yes, totally agree". It hasn't taken you but a few days to forget
> this statement and go right back to your usual rhetoric on this
> subject.
>
> My personal observation of the festival scene is this. The Sun Valley,
> Idaho festival is thriving, the Seaside, Oregon festival is thriving,
> the Port Angeles Wash. festival attendance figures this year indicate
> that it should be in great shape, the Penticton British Columbia
> festival is growing each year and the people behind the Victoria BC
> festival are working hard to reestablish the festival here, a festival
> that has had 1 bad year in the last 23 years. All these festivals with
> the exception of Port Angeles, which is totally Trad, play a variety of
> OKOM and have done so for many years.
>
> Unless you submit some meaningful statistics to support your doom and
> gloom preaching I remain unconvinced. In other words, put up or shut
> up.
>
> These are my last words on the subject.
>
> It has been a slice.
>
> Len Nielsen
>
>
>
>
>
> Steve barbone wrote:
>> Len Nielsen <lennielsen at telus.net> wrote (polite snip)
>>
>>
>>> I guess in future when you do an analysis of your group
>>> and the quality of your performance and report your findings to the
>>> list
>>> you will use Jamie Cullum as a comparative reference instead of OKOM
>>> festivals and bands.
>>
>>
>> Dear Len:
>>
>> No, I will use my own good judgement and point you to list mate Rob
>> McCallum
>> who saw our group tonight (Aug 21) in a Buck's County Park Concert
>> near
>> Philadelphia. Rob is from Detroit and was visiting the area.
>>
>> He would, no doubt, be pleased to report to you on the "quality of our
>> performance." (or lack thereof) His email is
>> <solarjazz at wideopenwest.com>
>> and he'll be back home in a week or so. Other than that, I could care
>> less
>> how OKOM Festivals and bands view my music for I am not doing it for
>> them.
>>
>> Barbone Street has a written Mission Statement: "To Increase The
>> Audience
>> For Dixieland". The least productive place to accomplish that is at
>> an OKOM
>> Festival as most are presently operated.
>>
>> It would also help you to figure out why and how Cullum helps jazz as
>> I
>> originally posted, if you read a little about him, and the audience
>> that he
>> is reaching. As for Dixieland audiences, there may be few left if not
>> for
>> kids like Cullum and the others who seem to attract the young to
>> JAZZ,
>> OKOM, or AMERICAN SONGBOOK. Yet you and others disparage them. Why?
>> Fear of
>> the future, fear of change, or insecurity?
>>
>> Plain & Simple. OKOM festivals, like many other musical offerings are
>> dying
>> in their present form. Some, like Sacramento, or the Baltimore
>> Symphony are
>> trying different approaches to reverse that trend. That is what my
>> posts are
>> all about. And whatever helps jazz, will also help our kind of jazz.
>> It
>> seems as if you still fail to grasp that.
>>
>> Cheers,
>> Steve
>>
>>
>> _______________________________________________
>> Dixielandjazz mailing list
>> Dixielandjazz at ml.islandnet.com
>> http://ml.islandnet.com/mailman/listinfo/dixielandjazz
>>
>>
>
>
>
>
>
>
> ------------------------------
>
> Message: 12
> Date: Thu, 25 Aug 2005 07:32:37 +0100
> From: "Bill Salmond" <billsalmond at quista.net>
> Subject: [Dixielandjazz] Chords
> To: <Dixielandjazz at ml.islandnet.com>
> Message-ID: <000301c5a93e$ff58bfc0$08152f50 at bs1>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Hi,
> Anyone able to help with chords for a Loesser/McHugh song called
> 'Murder He Says'
> Thanks,
> Bill.
>
>
> ------------------------------
>
> Message: 13
> Date: Thu, 25 Aug 2005 10:25:26 +0200
> From: "Jim Kashishian" <jim at kashprod.com>
> Subject: [Dixielandjazz] Kids & Dixieland
> To: <dixielandjazz at ml.islandnet.com>
> Message-ID:
> <mailman.2.1124996407.81679.dixielandjazz at ml.islandnet.com>
> Content-Type: text/plain; charset="us-ascii"
>
> Steve wrote:
> If we truly want to get kids to enjoy OKOM, in any form, then more OKOM
> bands than mine or Kash's must do what we are doing.
>
>
> There IS a difference, though, Steve. While you actively seek this
> particular audience, our audience is just there, as I mentioned in my
> post.
> It's the kids that are on the streets at night, and they are the ones
> that
> storm into wherever we are playing. The good part is that they don't
> leave!
>
> As I stated in an earlier post, there are some that prefer the "family
> feeling" of the Festivals. That's ok. They've got their schedules
> down pat,
> and most likely play enough to fit their daily lives & satisfy their
> musical
> desires. There are some that prefer the night club, smokey thing.
> That's ok,
> and great if it's available...as in our case here in Madrid. I like
> playing
> a lot of nights, and get "itchy" when more than a week goes by without
> playing, so I don't think I could last between festivals.
>
> Your particular 10 page FREE treatise that you mention may be (& must
> be)
> good for you, but it will not be the icing on the cake for everyone
> here.
> So, I don't think you should worry so much as to whether anyone is
> getting
> it or not.
>
> Jim
>
>
>
>
> ------------------------------
>
> Message: 14
> Date: Thu, 25 Aug 2005 23:52:45 +1000
> From: Anton Crouch <anton.crouch at optusnet.com.au>
> Subject: [Dixielandjazz] Way down yonder in N.O.
> To: DJML <dixielandjazz at ml.islandnet.com>
> Message-ID: <3.0.1.32.20050825235245.007a44b0 at mail.optusnet.com.au>
> Content-Type: text/plain; charset="us-ascii"
>
>
> Hello all
>
> Sheik's mention of the Cotton Pickers' Feb. 1923 "Way down yonder .."
> prompted me to revisit the early recordings of this group and I
> couldn't
> help but smile at the comment "despite being accoustic, it's quite
> listenable". That's a bit like looking at the Sistine Chapel ceiling
> frescos and saying "despite the cracks, they're quite good" :-)
>
> The "tango" interlude is most interesting and I was wondering if anyone
> knows what the melody is.
>
> All the best
> Anton
>
>
>
>
>
> ------------------------------
>
> Message: 15
> Date: Thu, 25 Aug 2005 18:41:58 +0200
> From: "Jim Kashishian" <jim at kashprod.com>
> Subject: [Dixielandjazz] test
> To: <dixielandjazz at ml.islandnet.com>
> Message-ID:
> <mailman.3.1124996407.81679.dixielandjazz at ml.islandnet.com>
> Content-Type: text/plain; charset="us-ascii"
>
> no mail from DJML?
>
>
>
>
> ------------------------------
>
> _______________________________________________
> Dixielandjazz mailing list
> Dixielandjazz at ml.islandnet.com
> http://ml.islandnet.com/mailman/listinfo/dixielandjazz
>
>
> End of Dixielandjazz Digest, Vol 32, Issue 52
> *********************************************
>
>
Kaye Wade
Stuntwoman-Actress, Reflexologist
Vocalist & Bandleader -Kaye Wade's Riverboat Ramblers
& The Tinsel Town Ten Minus 3
PO Box 1068 Studio City CA. 91614-1068
http://www.KayeWade.com
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