[Dixielandjazz] Cloddish MUSICIANS?
James Kashishian
kash at ran.es
Tue Sep 7 09:53:59 PDT 2004
As a bassist, with an amplifier, I need to speak up here.........
So I say it is a matter of balance, cooperation, and leadership.
D a v i d M c C a r t n e y
A real standup fella
______________________________________________
Have to agree with David. If the keyboard is amplified (& it must to have a
sound), then the rest of the instruments have to rise to his level. The
only way for the bass to do that is to be amplified. Even if a proper piano
is used, it will most likely be amplified at least a bit, and then so will
the bass and the vocals.
Horns & mics? I like to have a mic so that we can "play" with it. We are a
2 man front line now that our reed retired (bone & trumpet), and Pepe and I
move around the mic (prefer one between us), using the distances on purpose
for different balances between the horns.
I really like to go close, but play very softly, and get a very "personal"
sound from the horn on some solos. Hand under the bell & one finger
touching half way inside the bell will "mute" the horn in a mellow sort of
way. All kinds of tricks that are fun and keep me interested and
experimenting.
Amplification can be done well & musically, but I prefer to have control
rather than some guy whose never heard the band.
Jim
By the way, I always have my trusty plunger (not the rubber ones) with me,
and also use a T. Dorsey mellowtone jobber (*) & a bucket mute. Plunger
gets used the most. Bit of a trademark now, I guess. Don't fully
understand the discussion about whether or not the use of mutes is a good
thing or not. Isn't that a rather personal thing?
(*) also great for singing through...
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