[Dixielandjazz] Re: CLYDE McCOY Plunger Mute
BillSargentDrums at aol.com
BillSargentDrums at aol.com
Thu Jul 29 13:39:54 PDT 2004
<<Trumpet players: I'm working with a trumpet guy who hates Clyde McCoy's
Sugar Blues BECAUSE it is bad form--or a bad use of a plunger mute
(whatever that
is) and hence not worth trying to imitate. I rather liked it and it was
quite a hit in the 50s, as I recall. What's your take on this? Is he
totally
right? Half right? Or what?
Dan (piano fingers) Spink>>
It's NOT bad form. Clyde innovated the wah-wah sound. So much so that in the
'60s and currently, the daddy of all wah-wah pedals for guitarists, the
"Vox" brand wah-wah has Clyde's picture on the back. I can think of all kinds of
instrumentalists in different genres that picked up on that effect and use it
consistently.
HOWEVER, Clyde did NOT use a plunger mute to achieve this. He had a special
metal straight mute (not like today's straight mutes. Bob Schulz is the only
person I've seen other than Clyde to have one) and a metal mute similar to
today's rubber plumber's plunger. The plunger cup he used was not a musical item
at all. It was the bottom, base, of the old soda fountain sundae dishes with
the stem attached for holding between his fingers.
BTW, Clyde made his first recording of Sugar Blues in 1929 and by the early
'70s, had sold over 13 million recordings of it.
Authenitcation: Spent 3 years with him and paid close attention to
everything that happened.
BTW Sugar Blues was usually played twice a night. Remember one night it was
5 times. Decided it was a curse to be a one hit wonder. And now I have
diabetes . . . just kidding!
Bill
414-777-0100
BillSargent.com
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