[Dixielandjazz] The Pineapple Chord

Mike Durham mikedurham_jazz at hotmail.com
Thu Nov 6 12:59:38 PST 2003


In OKOM circles hearabouts, this chord is referred to as the !"**!@??! 
chord, and is seldom played when there is a vowel in the month (due to a 
folk superstition that banjo players attempting it will die by the next full 
moon).

Chordial regards,

Mike


>From: "Dennis Mowatt" <basousanjo at blueyonder.co.uk>
>To: <dixielandjazz at ml.islandnet.com>
>Subject: Re: [Dixielandjazz] The Pineapple Chord
>Date: Thu, 6 Nov 2003 12:41:51 -0000
>
>In orchestral circles hereabouts this chord is referred to as "The
>Neapolitan Sixth". We used to call it the "magic" chord on account of the
>effect the sound of it had on the hairs on the back of our necks!
>
>Regards
>
>Dennis Mowatt
>
>----- Original Message -----
>From: "Harold Smith" <s3856lpa at webtv.net>
>To: <dixielandjazz at ml.islandnet.com>
>Sent: Thursday, November 06, 2003 3:48 AM
>Subject: [Dixielandjazz] The Pineapple Chord
>
>
> >
> > The Ab7 chord in the key of C, or, if you prefer, the bVI7 in any key is
> > pretty commonly used by the German romantic and post=romantic composers
> > in serious music.
> >
> > Never heard it called the Pineapple before, but have heard it referred
> > to as "The German Chord".
> >
> > For a beautiful example of he use of this change in a great popular
> > song, try "Was I To Blame For Falling In Love With You" by Victor Young,
> > and magnificenly recroded by Louis Armstrong.  Also, be sure to dig the
> > Warren Vache recording of this song.  If you don't get the lshivers
> > listening to his wonderful sound, you ain't human.
> >
> > Harold Smith
> >
> >
> > _______________________________________________
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> > http://ml.islandnet.com/mailman/listinfo/dixielandjazz
> >
> >
>
>
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